A Quote by Neil deGrasse Tyson
Everything we do, every thought we've ever had, is produced by the human brain. But exactly how it operates remains one of the biggest unsolved mysteries, and it seems the more we probe its secrets, the more surprises we find.
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To me, it seems more realistic to my thought process when things feel a little scattered in the lyrics. Being disjointed is not that abstract of a thing when I think about how my brain works - I feel like it's almost more realistic. That's how my brain works.
The brain is an immensely complex organ, and many mysteries remain. Exactly how brain and mind or soma and psyche are related is one of them.
From a scientist's perspective, to understand everything that you need to know about human beings, you only have to tinker with all the mechanical parts of genes and the brain until there are no more secrets left.
There is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one's idea for thirty-five years; there's something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.
From the growth of the Internet through to the mapping of the human genome and our understanding of the human brain, the more we understand, the more there seems to be for us to explore.
A lot of people talk about sometime around 2030, machines will be more powerful than the human brain, in terms of the raw number of computations they can do per second. But that seems completely irrelevant. We don't know how the brain is organized, how it does what it does.
Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treausre of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.
Because, if we understand how a building is to be produced and we find a way that it can be more simply produced, then obviously we are contributing to building better buildings more easily.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us.
With nonfiction, I had to learn how to be a clear communicator, but it was also a relief to be able to articulate some of my political ideas and beliefs. I also try to do that in my fiction, but I'm more interested in asking questions that lead to more questions, mysteries that lead to more mysteries, rather than immediate answers and solutions.
Will Rogers became the biggest, most popular, and highest-paid star of every existing media of his time. The biggest star America ever produced. What is even more remarkable, the things he said and wrote remain as relevant and meaningful today as they did 60 and 70 years ago.
Theoretical scientists who probe the secrets of the universe and philosophers who seek answers to existence, as well as painters such as Paul Klee who find the thoughts of men of science compatible with art, influence me far more than most photographers.
The more we learn about AI and about how the brain works, the more amazing the brain seems. Just the sheer amount of computation it does is truly incredible, especially for a couple of pounds of meat.
Everything’s not exactly the way it seems ” I said. “It seemed like you had your tongue down his throat ” Finn glared at us both. “Well then everything is exactly as it seems ” Loki said glibly.
'The 5th Wave' is sci-fi, but I tried very hard to ground the story in very human terms and in those universal themes that transcend genre. How do we define ourselves? What, exactly, does it mean to be human? What remains after everything we trust, everything we believe in and rely upon, has been stripped away?
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