A Quote by Neil Finn
I try to put myself into unusual and difficult situations as often as I can in order to capture the element of struggle in the music.
Related Quotes
I think comedy drama is a tricky one. But it's like in real life: often really tense, dramatic situations can be punctuated with the mundane and banal, and that's what we try to capture in 'Stella.'
I try to find the human element in the character's problem. And often, it is; even if the struggle is grand and on a worldwide scale, the problem is very personal.
I try not to put myself in horrible situations anymore.
I really try to put myself in uncomfortable situations. Complacency is my enemy.
I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.
My whole background as a social worker has allowed me to understand human behavior in difficult situations. Working in Kenya, I see the most desperate situations - things I could never believe possible - and then have to try to find solutions.
Especially with women in music there is this unnecessary competitive element. And, like, why? Why do people do things where they try to put peers up against each other?
Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.
Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
Comedy is unusual people in real situations; farce is real people in unusual situations.
Often during rehearsals, I catch myself thinking, 'God, this is hard. Why am I always choosing such difficult plays to put on?'
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
Often in normal life I'm just constricted to what I see, maybe, and hear. But when I climb and when I'm out in the wild, other senses come to me and Delicate Arch was a free solo climb, which means I didn't have any protection and often, when I put myself in these situations, it brings out this heightened awareness which I crave so much.
I try to keeps things pretty light, try to make people laugh. I find it difficult to keep trying to promote myself. I know that's the whole point of it, to promote my music, but I like to use it to be funny and silly.
You grow up always thinking you'd be in pressure situations all the time, and that's why I put pressure on myself in practice, so when those situations come in the game I feel I can be successful.
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