A Quote by Neil Flynn
I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.
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That's the person I plan on being for a very long time: someone who stands up, someone who is an advocate for people, [even if it's for] something that some people think is only hair. I think it's more than just that. I want to be a spokesperson for self-love and for diversity.
Don't think in the morning. That's a big mistake that people make. They wake up in the morning and they start thinking. Don't think. Just execute the plan. The plan is the alarm clock goes off, you get up, you go work out. Get some.
I couldn't go on an '80s package show or anything like that. I have a lot more to give. If you go down that road completely I think you'll stay with a certain type of audience. Again I'm not knocking it. People go for the fun of the hits, it's what they've grown up with.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
When you fight for something, you fight the good fight. You go for it, you never stop. You get knocked down, and you get right back up. That's what we need to be teaching these kids. For that matter, even some adults.
I think, and there's a pretty strong economic consensus on this, that at that juncture you should spend more, even though it may sound illogical to some people when the revenues are down, but spend more to juice things up and then do the cuts later once you're back, your economy is back in gear and running.
I grew up in the suburbs of a small town on the south coast where the only opportunity I ever got to wear anything smart was a funeral, so I had never owned a piece of clothing worth more than £40.
So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
A lot of people think, 'I'll give acting or poetry or filmmaking a try. And if it doesn't work out I'll go get a law degree, do something else that's more practical.' For me I went the reverse way. I lived the back-up plan.
I think everybody has a purpose. Everybody is made to be a picture of how good and glorious God is, and I think sometimes we'll get it confused and think because we mess up, we make mistakes or we have some blemishes in our record, that our purpose is somehow messed up. But actually that only serves to further paint a picture of how good God is when he uses people who are messed up just like me.
I think a lot of people believe that they have to be poor to serve God, that they can't have anything. They don't really even know how to give. And one of the main principles in the Bible is you'll reap what you sew, and that if you give into the lives of others, that it shall be given back to you, good measure, pressed down and shaken together. If you go plant one tomato seed, you don't get back one tomato; you get a vine of tomatoes.
I think in the bullpen you can tell during your warmups, if you have a good feel for it. But anything can happen once you get into a game. Sometimes you just wind up throwing it better than ever before one day without knowing why.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
Chicago was a big influence on all three of us growing up. I admire their musical integrity. When the opportunity came up to produce them, I couldn't let it go by.
I don't think I ever thought of growing up to be anything other than a musician. There really wasn't a plan B. Well, a kind of a distant plan B was to be a Formula One driver, but there really wasn't an entry point.
When the musician starts improvising, he never can go back to what he did last Sunday. That's what's frightening to a lot of people who can't let themselves go. But it's also very invigorating and very releasing because it opens you up to be yourself.
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