A Quote by Neil Gaiman

I have never written a musical. I have never written a weird, interactive piece of theater. I wanted to do something that would be disturbing. It will be disturbing theater with songs. There will be no people on wires. That's probably the next one of those things on my bucket list of things that I need to write before I get hit by that car.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
Instead of noting down things I’m unlikely to forget, I will write a poem. Even if I have never written one before and even if I never do so again, I will at least know that I once had the courage to put my feelings into words.
I'm somebody who grew up listening to a lot of musical theater, so getting to finally write musical theater songs and songs that sound that way - the emphasis being on the storytelling, but the arrangements and the orchestrations can be really varied - I found that to be, actually, a really joyful discovery.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
It's why I fell in love with movies. You can sit in a movie theater and be transported to a place that you never get to go and be a person who you never in your life would get to be and feel something and have empathy for people and see things from another point of view.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
Israel is a solid ally of the United States. We will rise to Israel's defense, if need be. So this kind of menacing talk [by the President of Iran] is disturbing. It's not only disturbing to the United States, it's disturbing for other countries in the world, as well. Asked whether he meant the U.S. would rise to Israel's defense militarily, Bush said: "You bet, we'll defend Israel."
I've never written jokes. I mean, I'll write things on a piece of paper and riff on them onstage.
I've written almost 200 songs with Bad Religion. No matter where you look in our history, the focus has been trying to instill some of these disturbing realities about the world, some of the implications of evolution into an artistic format that can be interpreted by people who may never study evolution.
I will say again that I have never, and would never, harm a child. It sickens me that people have written untrue things about me.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
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