A Quote by Neil Gaiman

I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
Developmental readings are actually the best part of being an actor for me. I once spent a month doing so many developmental readings at the Roundabout that we all joked that I was an 'artist in residence' there. But to me, it's such a special time to be involved with a new play.
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
I've never really considered doing stand up, but I have done readings/spoken word things fairly often in which I'll just tell a bunch of stories and run off at the mouth. I'm a big tangent person.
I realized that my book readings were boring me. I was going to go up there and read a passage and sleepwalk through the whole event and I needed to make it more interesting. I wanted to be running and jumping and do something so that the event would be so exciting. I had to trick myself into having fun every time.
If time is precious, no book that will not improve by repeated readings deserves to be read at all.
To read means to borrow; to create out of one s readings is paying off one's debts.
I've been doing Shakespeare readings with my friends for years.
I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
I have odometer readings, kids; all sorts of measurements of what I've been doing for the last 20 years. I get it. I get that it was a while ago.
I love doing readings. I could really give a crap about reviews. It's kind of about the readers.
I do interviews and signings and readings and all of these people just hang off my every word. And then I go home and have dinner with my family and nobody lets me get a word in.
Doing readings is so gratifying that it makes any physical intensity worth it for me.
Every new book I read comes to be a part of that overall and unitary book that is the sum of my readings...if you need little to set the imagination going, I require even less: the promise of reading is enough.
If get an off on a Sunday, I try to keep my script-readings, meet my directors, plan film releases.
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