A Quote by Neil Gaiman
That is the eternal folly of man. To be chasing after the sweet flesh, without realizing that it is simply a pretty cover for the bones.
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We are going to have bodies like Jesus did after He was resurrected. Each of us is going to have a new eternal, glorified body. It will actually be constructed as we are now, of flesh and bones - but eternal flesh and bones, incorruptible, immortal flesh and bones. It's going to be material, natural, recognizable, seeable and feelable.
But I found out that bones with flesh are more interesting than bones without.
How I saw in her my own true nature. What was beneath my skin. Inside my bones... Even though I was young, I could see the pain of the flesh and the worth of the pain. This is how a daughter honors her mother. It is shou so deep it is in your bones. The pain of the flesh is nothing. The pain you must forget. Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.
Frankenstein took some flesh and bones and blood and made a man out of them; the man ran away and fell to raping and robbing and murdering everywhere, and Frankenstein was horrified and in despair, and said, I made him, without asking his consent, and it makes me responsible for every crime he commits. I am the criminal, he is innocent.
You might say, 'Can't we have a more human Christianity, without the cross, without Jesus, without stripping ourselves?' In this way we'd become pastry-shop Christians, like a pretty cake and nice sweet things. Pretty, but not true Christians.
He was becoming unstuck, he was sure of that - his bones were no longer wrapped in flesh but in clouds of dust, in hummingbirds, dragonflies, and luminous moths - but so perfect was his equilibrium that he felt no fear. He was vast, he was many, he was dynamic, he was eternal.
It was a part of myself that was my enemy; I still had a childish illusion that the flesh on my own bones was somehow unique and precious to the universe, in some obscure corner of my mind I wanted the others to love me and make exceptions for me simply because I felt heat and cold, pain and loneliness as they did. Now this was gone once and for all, and I understood there were no exceptions and on one was invulnerable, we all had to share the same conditions and in the end this was simply mortality, the mortality of things as well as ourselves. After that I didn't expect anybody to love me.
it is good to be sitting some place in public at 2:30 in the afternoon without getting the flesh ripped from your bones.
After a stronghold has been made of the bones, it is covered with flesh and blood, and there dwell in it old age and death, pride and deceit.
The flesh is what traps us, because no one has ever chosen his or her body to live in, has he? It's the flesh that makes us sick, that makes us old and that eventually ends up killing us. But at the same time, it's that glorious flesh that enables us to scratch heaven through sensuality, through passion. Paradoxically, the flesh that kills us will also make us feel eternal for a brief moment because that's what we are in passion, eternal - we abandon ourselves, we give ourselves to the other, so much that when we are loving passionately, death doesn't exist.
Philosophy can be compared to some powders that are so corrosive that, after they have eaten away the infected flesh of a wound, they then devour the living flesh, rot the bones, and penetrate to the very marrow. Philosophy at first refutes errors. But if it is not stopped at this point, it goes on to attack truths. And when it is left on its own, it goes so far that it no longer knows where it is and can find no stopping place.
Every man is the builder of a temple, called his body, to the god he worships, after a style purely his own, nor can he get off by hammering marble instead. We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them.
To tell your own secrets is generally folly, but that folly is without guilt; to communicate those with which we are intrusted is always treachery, and treachery for the most part combined with folly.
When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
My father had owned a ranch when he was younger, in Montana, and he remembered riding his horse across the prairie and seeing some large bones sticking out of the ground. He was enough of a geologist, being a sand and gravel man, to have a pretty good notion that they were dinosaur bones.
If people want to be real meat eaters, I'd love to see people eat raw flesh from the bone, down to the bone with nothing left but the bones, day after day after day.
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