A Quote by Neil Gaiman

Young man," he said, "understand this: there are two Londons. There's London Above?that's where you lived?and then there's London Below?the Underside?inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night.
Behind everything in London is something else, and, behind that, is something else still; and so on through the centuries, so that London as we see her is only the latest manifestation of other Londons, and to lover her is to plunge into ancestor-worship.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
I grew up in London. My parents and I lived in West Norwood, then we moved to Norbury, and I went to the Brit School. I'm a South London girl at heart.
London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.
I've lived in a lot of places - London, Germany, Tokyo, Scotland, Ireland, Los Angeles, and New York. The fashion capitals I've lived in - Tokyo, London, and New York - have this stamp of coolness about them. But I've noticed that in big cities in general, people are just less afraid to be themselves when it comes to fashion.
I fell in love with London and one particular era in London.
In London, before I set out, I had paid one shilling; another was now demanded, so that upon the whole, from London to Richmond, the passage in the stage costs just two shillings.
London's night economy is huge and it couldn't function without London's night buses.
I was born in London. I moved to New Zealand when I was really young; I can't remember London. My parents went and did what was supposed to be a one-year O.E. (overseas experience) that turned into a 9 year O.E. and they had two kids.
I love India. I love the people, food and the environment. Yes, I am from London, but right from when I was a toddler, I've always lived between Mumbai and London.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
Now I belong to this fantastic group called The London Writers Salon, which runs Monday to Friday with sessions in London, New York and L.A. and you can log in to them all and basically write in the company of 300 other people, with nobody chatting.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
I came to London with a girl. We lived together and split up very quickly. I was on my own in London so started going to comedy clubs.
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