A Quote by Neil Gaiman

He stared up at the stars: and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity. — © Neil Gaiman
He stared up at the stars: and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity.
He stared up at the stars, and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity. He imagined he could see the very faces of the stars; pale, they were, and smiling gently, as if they had spent so much time above the world, watching the scrambling and the joy and the pain of the people below them, that they could not help being amused every time another little human believed itself the center of its world, as each of us does.
The lizard stared up at us, and we stared back, taking each other in. He was little and defenseless, I felt sorry for him already. This was a screwed-up place he'd just come into. But he didn't have to know that. Not yet, anyway. There in that room, where it was hot and cramped, the world probably still seemed small enough to manage.
Most writers sow adjectives almost unconsciously into the soil of their prose to make it more lush and pretty. The sentences become longer and longer as they fill up with stately elms and graceful boughs and frisky kittens and sleepy lagoons.
I wrapped my arms around me as tightly as I could, and stared up at the stars. Had I not been so cold and wanting to escape so badly, I could have stared at them forever: They were amazingly beautiful, so dense and bright. My eyes could get lost up there if I left them looking long enough. [...] They swallowed me up. They were like a hundred thousand tiny candles, sending out hope.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
Every age has its dreams, its symbols of romance. Past generations were moved by the graceful power of the great windjammers, by the distant whistle of locomotives pounding through the night, by the caravans leaving on the Golden Road to Samarkand, by quinqueremes of Nineveh from distant Ophir . . . Our grandchildren will likewise have their inspiration-among the equatorial stars. They will be able to look up at the night sky and watch the stately procession of the Ports of Earth-the strange new harbors where the ships of space make their planetfalls and their departures.
I was always in dance and performing arts school. All of my schools were performing arts. I'm the one that, like, turns up the whole party.
At bed-time I went into my room and put out the light. I didn't get undressed. I lay on my bed and looked out of the window at the stars. I read in a book that the stars can take you anywhere. I've never wanted to be an astronaut because of the helmets. If I were up there on the moon, or by the Milky Way, I'd want to feel the stars round my head. I'd want them in my hair the way they are in paintings of the gods. I'd want my whole body to feel the space, the empty space and points of light. That's how dancers must feel, dancers and acrobats, just for a second, that freedom.
All dancers have a cumulative tendency, because each beat of the tom-tom has an almost irresistible appeal. Soon, those who were just spectators would dance too.
Without a wish, without a will, I stood upon that silent hill And stared into the sky until My eyes were blind with stars and still I stared into the sky.
Dark and stately is the warm, graceful tenderness of the Sarabande
Usually, when we're performing 'What About Your Friends' or 'Waterfalls' comes on, they all know the dance. It's like a sea of TLC dancers in the audience! It's so beautiful to see. I just love it so much.
As long as there are dancers around who love to dance, there will be an Alvin Ailey American Dance Company. We miss him so much, but he's alive as soon as you see a dancer hit the stage.
If some one loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself, "My flower's up there somewhere. . . ." But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
Silence fell between the four of them as they looked up at the sky. There was no sign of movement, the stars stared back, unblinking, indifferent, unobscured by flying friends. Where was Ron? Where were Fred and Mr Weasley? Where were Bill, Fleur, Tonks, Mad Eye, Mundungus?
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
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