A Quote by Neil Gaiman

You were her way here, and it's a dangerous thing to be a door. — © Neil Gaiman
You were her way here, and it's a dangerous thing to be a door.
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
Style is the answer to everything. A fresh way to approach a dull or dangerous thing. To do a dull thing with style is preferable to doing a dangerous thing without it. To do a dangerous thing with style is what I call art.
After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.
I could envision it all to clearly: Stuart or Debbie finding the dented door off its hinges, lying in the snow. "She came in, ravaged the boy, stole plastic bags, and ripped off the door in her escape," the police would say in the APB. "Probably making her way to bust her parents out of jail.
The Contessa was surely way ahead of her time, too, in believing that men were not only usless and idiotic, but downright dangerous. That idea wouldn't catch on big in her native country until the last three years of the Vietnam War.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
Substances like LSD, which give away a secret about the nature of the social game - the human game and what underlies it - are potentially dangerous, of course, like any good thing is. Electricity is dangerous, fire is dangerous, cars are dangerous, planes are dangerous, but not so dangerous as driving on the freeway. The only way to handle danger is to face it. If you start getting frightened of it, then you make it worse. Because you project onto it all kinds of bogeys and threats which don't exist in it at all.
I say seduce her, seduce her tonight. Break the door down if you have to. Tell her all those things you said to me about her. You will love her more tomorrow than today and how you want to die with her hand in yours–which is an excellent line, by the way, that I fully intend to borrow when the time comes.
The auld wife sat at her ivied door, (Butter and eggs and a pound of cheese) A thing she had frequently done before; And her spectacles lay on her apron'd knees.
The difficult thing, the glorious thing, was to be who you really were, even if that person was cruel or dangerous, particularly if cruel and dangerous. There was courage in not distinguishing the animal you happened to be. On the other hand, you had to avoid pretending to be more of an animal than you were: take that path, start exaggerating or faking and you became just another Cubby, just as much of a liar, a hypocrite
Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin.
Literature was intended to be dangerous. Art was meant to be dangerous. Ideas were nothing if they were not dangerous.
At the door , she made him promise to go without goodbyes .She closed the door on him . Laila leaned her back against it , shaking against his pounding fists , one arm gripping her belly and a hand across her mouth , as he spoke throughout the door and promised that he would come back for her . She stood there until he tired , until he gave up , and then she listened to his uneven footsteps until they faded , until all was quiet , save for the gunfire cracking in the hills and her own heart thudding in her belly , her eyes , her bones .
How a mother comes to love her child, her caring at all for this thing that's made her heavy, lopsided and slow, this thing that made her wish she were dead ... that's the miracle.
Hey Sydney," she said, giving me a small, crooked smile as she entered the room. Her flashing, dark eyes were friendly, but they were also assessing everything in the room, much as Eddie's gaze was. It was a guardian thing. Rose was about my height and dressed very casually in jeans and a red tank top. But, as always, there was something as exotic and dangerous about her beauty that made her stand out from everyone else. She was like a tropical flower in this dark, stuffy room. One that could kill you.
To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.
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