A Quote by Neil Gaiman
I very rarely want to go back and fix things, because I'm much more interested in the next thing, and in taking what I learned from the things that don't work, and applying them to new things that may work.
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I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
I am wary of sequels. I understand them from the studio's point of view, but the audience doesn't want more, they want better, and I thought the second 'Ghostbusters' was not very effective, it did not really work, so there's no reason to believe a third would. I'm more interested in new things.
My general idea about my work is that it's more about the work than the things that come with it. I am constantly striving to improve on that and find new things to do there. That journey itself is so interesting is because there's so much to do that there's no room for doubt there.
I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
I would love to just have the work do the talking. We're in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I've completely shot my mouth off, whether it's too much about my private life or being too opinionated about things in the world. I think the better thing to do - I've learned this from people far wiser than me - is to do very good, quiet work behind closed doors.
In my ninety-plus years, I have learned a secret. I have learned that when good men and good women face challenges with optimism, things will always work out! Truly, things always work out! Despite how difficult circumstances may look at the moment, those who have faith and move forward with a happy spirit will find that things always work out.
What we want... is for students to get more interested in things, more involved in them, more engaged in wanting to know; to have projects that they can get excited about and work on over long periods of time, to be stimulated to find things out on their own.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
We have the right to go and try new things and, if those things don't work, go back to what we were doing at first.
I always try to do as much as I can do. I'm never a person that does not enough, because I'd regret not doing enough and think I probably could have done more. I probably go too far and have to reel myself back in, which works in some things, and other things it doesn't work.
When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.
People want the nation to transform in the same way they want their own lives to transform. If you're interested in transforming your life, you can't just transform some things. You can't try to fix some things, but sweep other things under the rug because it's too hard to face them. And the same is true for a nation.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
In the studio, if things go wrong, you stop things and fix them. I have never been in a recording studio, really, where the people in the booth were not interested in making a very good album. It's often a light-hearted atmosphere but serious at the same time.
There are things I back off from trying to talk about, you know. Particularly my own work. Also, there may be things better left unsaid. At times I'd much rather talk about other (people's) work.
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