A Quote by Neil Gaiman
I think that is something that I always like in my work - the sense of inclusion rather than the sense of otherness.
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Otherness cannot be a form. For to alter is to deform rather than to form. Therefore, that which is seen in different things can also be seen in and of itself without otherness, since otherness did not give being to it.
In order that people may be happy in their work, these three things are needed: They must be fit for it: they must not do too much of it: and they must have a sense of success in it - not a doubtful sense, such as needs some testimony of others for its confirmation, but a sure sense, or rather knowledge, that so much work has been done well, and fruitfully done, whatever the world may say or think about it.
It's something I've enjoyed since being a kid, the fantasy of it, the imagining I'm someone other than who I am. I've always felt claustrophobic in one sense of identity. If anything, I've had to work to develop a sense of my own identity. I used to really hate it when people defined me.
In a serious sense, wanting to change something from the past doesn't work for me - change something you don't enjoy now rather than regretting it later.
Can you remember how you felt when you were communicating through your artwork? Not just the sense of completion, but the sense of rightness- the sense that you had brought to life something that could live beyond your sphere of being, that held in it far more potential than you ever realized you were imbuing in the work?
I think, in terms of corporate philosophy, I've always believed that you've got to treat people in a very very egalitarian manner in the sense I like to treat people on a one-to-one basis. And I like people to take on a lot of responsibilities because I think with a sense of responsibility also comes a sense of purpose.
Love, like a sense of humor, is now claimed by everyone even though Love, like a sense of humor, is rather more rare than not, and to most of us poor muddlers unbearable at full strength.
I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of originality in media. So, I think the people who want something like this which has a graphic novel feel or comic book feel but that is designed and created for the medium of television, I think that is something is very appealing to a lot of people.
Many of the women who I've taught to climb have a better sense of balance than the men. I think it has to do with being a little more sensitive to it rather than relying on strenght. It's also a reflection of a passive attitude - balancing your way up the rock, rather than attacking it.
I grew up partially around Stone Mountain, Georgia, and in that part of the country, there was always this aura of mythology and palpable sense of otherness about being a Southerner.
I suppose there's a melancholy tone at the back of the American mind, a sense of something lost. And it's the lost world of Thomas Jefferson. It is the lost sense of innocence that we could live with a very minimal state, with a vast sense of space in which to work out freedom.
... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something--something was passing through me that it was in my nature to be a part of.
I think human beings have a basic instinct to be free and explore their world in their own way. I've always been driven to look at life as something which we should try to plunge into rather than sit back. You have to be able to have fun and keep creating a sense of excitement to how you approach the world.
I said that my father was not a politician. I, instead, think I am. But not in the sense of being interested in a political career - rather in the sense that I think it necessary to strive to build a certain India, the India I want.
I almost feel like there's some kind of connection that I'm having trouble putting in to words, in the same sense that I'm learning things from my children still. I think, just like any relationship, if I choose to become twisted and bitter it can be a source of distress or discomfort. But I think I've come to terms with the fact that I would prefer to see it as a gift. And I would prefer to see it as something that empowers me rather than something that diminishes me in some way.
I would think a sense of the absurd is more important for a political cartoonist, because that could define things like a sense of hypocrisy or a sense of the things one has to be skeptical about.
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