A Quote by Neil Gaiman
Going off the grid is always good for me. It's the way that I've started books and finished books and gotten myself out of deadline dooms and things.
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There are scenes from books I'm happy with. I tend to think my books are all broken. But then my favourite reads are almost always books that don't, in the end, pull off what they set out to do.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
There are books on my shelf that I'm not into. They are things I don't know anything about yet. It's going to lead me off into a new place. The books don't represent an interest; they represent a source of my ignorance.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
I think books find their way to you when you need them. Whenever I feel like I'm not going to live to read all the books I want to read, I remind myself that the important ones find their way to me.
I can't single out one of my books or characters as a favorite. In the same way that I don't have a favorite kidney, my books are organically all part of myself. I might even say that put all together, the books are one ongoing, developing story - which, not coincidentally, happens to be my own lifestory.
I was always writing the books that I wanted to write, books that demanded to be written at the time. But, like most writers, you start off feeling your way.
You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books.
I started off by doing everything myself, driving the truck, going to the woodshop, buying the wood, designing the furniture, cutting it out, making it myself, finishing it, polishing it, and delivering it, and writing the invoice and writing the letters, doing the books, doing the telephone bill and everything else like that.
One summer I was homeless in L.A., when I was about fifteen, and I used to go to the library to get books. I would have books in abandoned cars, in the seats, cubby holes on the L.A. River, just to have books wherever I could keep them, I just loved to have books. And that really helped me. I didn't realize it was going to be my destiny; I didn't know I was going to be a writer.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
As soon as the printing press started flooding Europe with books, people were complaining that there were too many books and that it was going to change philosophy and the course of human thought in ways that wouldn't necessarily be good.
I wasn't a very outgoing child. I read a lot of books and the characters in each of the books became like imaginary friends - I immersed myself in the different worlds. I always hated finishing books that I really loved for that reason.
Maybe all wondrous books appear in our lives the way Milo’s tollbooth appears, an inexplicable gift, cast up by some curious chance that comes to feel, after we have finished and fallen in love with the book, like the workings of a secret purpose. Of all the enchantments of beloved books the most mysterious-the most phantasmal-is the way they always seem to come our way precisely when we need them.
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