A Quote by Neil Gaiman

As an author, I've never forgotten how to daydream. — © Neil Gaiman
As an author, I've never forgotten how to daydream.
Growing up, I didn't really watch a lot of standup. I didn't know you could be a low-energy comedian. It was something I did daydream about, but in the way you daydream about becoming the president or something - it could never happen.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
I've forgotten a lot of things. I've forgotten how to play the piano and how to speak Arabic, though I studied it for two years.
I've forgotten the birthdays of everyone close to me. I have forgotten to pay bills, file tax returns on time, go to meetings, and, every week, I forget to put the bins out. But I have never forgotten I want my lunch.
Analysts have forgotten how to analyze business and they have forgotten how to be objective about them.
'Tryin' to Get the Feeling' has been a revelation. I'd forgotten how powerful that was. I'd forgotten how deep I can crawl into that one, and maybe because I'm older it means even more.
What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
Let it be forgotten, as a flower is forgotten, Forgotten as a fire that once was singing gold, Let it be forgotten forever and ever, Time is a kind friend, he will make us old.
When you do not recognize the wrongs of the past, the future takes its revenge. -Author forgotten
The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.
The men and women of America who have been forgotten will never be forgotten again.
A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.
I come from a minimum wage working world, as we all did for at least some part of our lives, and that is never out of my rearview. I've never forgotten how much your feet hurt after you've stood on them for like 12 hours. And how the drudgery of a job you hate craps on your entire life; how you treat other people, how you treat yourself, and it really was getting to me.
I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.
We all go to our grave thinking that we will never be forgotten, and we are forgotten ten minutes later.
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