A Quote by Neil Innes

We then took a shortened version of what we'd been doing in the pubs, with the best gags and things like that, out to cabaret clubs and things in the north of England for six weeks. And we became a big success.
My daughter is 12 weeks old and I've been in a training camp for 10 weeks. So I haven't held her properly and been out pushing the pram, doing the little things. But when I'm slugging it out and things are getting tough I just think, 'everything is for the kids.'
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.
I was always in my mind that for the top-six clubs in England my name was not big enough.
I'd been gigging since I was 14, doing little competitions and pubs and clubs and old people's homes.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
In England, there are five, six, seven big clubs, and you can never be sure who will win the title in the end. It's very exciting.
The big change, the really radical change in communication, was in the late 19th century. The shift from sailing ships to telegraph is astronomical. Everything since then has been small increments, including the internet. So you don't have to wait for a letter to get to England in six weeks, you have almost instant communication. That was an enormous shift.
I can't really speak for the guys, but for me, I think I want a build a longer-term career and I feel like we've been really fortunate to have some big success with a few things, but I want smaller success with more things.
I started singing in pubs and clubs around Belfast when I was 10. My dad is a musician, and he took me 'round; I impersonated Tina Turner and Shirley Bassey, and the crowd couldn't believe what was coming out of this little girl.
I'd been in and out of relationships, never very successfully. Then, when I met Angus, I found someone who also became my best friend in the world. And once you have somebody who you want to be with and share things with, it's fantastic. He's the total opposite of me, but somehow together we are like one whole person.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
I sat next to Robert Duvall at the lawyers' table for six weeks, and it's still probably the best six weeks of my life.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
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