A Quote by Neil Jordan
In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it.
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In Dreams...well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it.
Plans are easy to make, dreams are easy to dream. But putting your back into it? A little bit of hard graft and discipline? That is just too scary and far too much effort for the masses
I think it's a fun thing, and perhaps maybe very so slightly as an American, it's a slightly different thing that they didn't do as much of when the show was 100 percent written by Brits just because I'm not sure they were quite as familiar with some of these little moments in our government system.
When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.
Maybe I should say that memory interests me a great deal, because I think we all tell stories of our lives to ourselves as well as to other people. Well, women do, anyway. Women do this a lot. And I think when men get older, they do this too, but maybe in slightly different terms.
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)
I don't like directing that much to want a career as a director for hire. I like to have as much creative control as possible.
I love Manchester. I love Manchester United. But I would really struggle to be creative there. I feel a bit lost, over-familiar maybe. Maybe too stuck in my own web of history.
I'm probably a bit of a cheeky grandson, like my brother as well. We both take the mickey a bit too much.
Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off-putting to the audience. There is always something familiar they can grab onto.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off putting to the audience. There is always something familiar they can grab onto.
I feel maybe at times I've just been a bit too desperate to do well, almost tried too hard. But even though I haven't contributed as I would have liked, I've still enjoyed the cricket just as much.
I like dreams. I think there's a lot of information in them. I spent a lot of time on Jungian analysis and dreams are an elemental part of that process. Carl Jung believed very much in the power archetypes in dreams, what dream imagery means, and how you can tie it into deeper self examination. It's a big part of the therapeutic process.
I had a lot of nerves for a long time about career-oriented things, and I've slowly sort of let myself relax into it a bit. Part of me thinks that's maybe the effect of being on two hit shows. I like to think that maybe it's more: You do the things you do, and you do the best you can, and that's all you can hope for, and don't worry too much if it's not it.
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