A Quote by Neil Jordan

It's the same thing in a way, although writing a book is a very solitary thing. — © Neil Jordan
It's the same thing in a way, although writing a book is a very solitary thing.
Preaching and writing - it's the same. Whether I'm writing to speak or writing to be read in a book, it's the same thing.
My uncle, gentlemen, could say nothing; he was so very much astonished The queerest thing of all, was, that although there was such a crowd of persons, and although fresh faces were pouring in, every moment, there was no telling where they came from. They seemed to start up, in some strange manner, from the ground, or the air, and disappear in the same way.
I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.
For me, writing is a solitary thing and a personal thing. And it's weird, because when you make something that requires money and collaborators, you have to talk about them. I don't enjoy that part of it. I still want to keep it to myself.
There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.
Writing a book is incredibly pleasurable, but very solitary. You have total control, but sometimes that can drive you insane.
In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.
I would have never wanted to write another management book. There are so many of them, and everybody says the same thing about them, and they are all the same - they give the exact same advice. It's like a diet book; they all say eat less calories, exercise more, and every single book has the same conclusion.
The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.
For me, writing and creating music can be quite a solitary thing.
It's very much like opera singers. They do the same thing. The first thing in the morning and the last thing at night, the thing they think about is their voice and how to take care of it.
I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not.
Publishing a book is a very different thing than writing one.
Writing on my own versus co-writing kind of is the exact same thing because we don't sit in the same room when we write. We're always writing alone anyway.
I think the trick of writing a good picture book manuscript is to leave that space for illustration. An illustrated novel can do the same thing.
One thing I've found that I can do that I really enjoy is rereading my own writing, earlier stories and novels especially. It induces mental time travel, the same way certain songs you hear on the radio do ... the whole thing returns, an eerie feeling that I'm sure you've experienced.
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