A Quote by Neil Macdonald

If you speak to his friends like Adam Sandler, David Spade or Tim Meadows - the people he came up with at 'SNL' - they would all agree that Norm was the purest amongst them. He was the comic's comic.
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
I want to be host of 'SNL.' I want to work with Steven Spielberg, Leonardo DiCaprio, J.J. Abrams, Emma Stone and Tim Burton, Sean Penn, Cameron Crowe. I want to work with Adam Sandler - he is so funny - and Tina Fey and Amy Poehler.
The Valkyries were an idea that my boss and I came up with when, at the comic shop one day, I mentioned how great it would be if there were a girl gang for women working in comic shops.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
I came to one of the first Comic Cons in 1985, when it was just people trading back issues of comic books.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
I was writing the kind of comic that would make me, at age 26 or 27, go down to a comic book store every month and spend my $2. That was my starting point. I wanted to write a comic that I would read. And that's still my agenda.
I'm a huge fan of Adam Sandler and used to have Adam Sandler nights when I was younger. And he's so funny on the set.
I never was a big comic book fan. Obviously I'd heard them growing up from my friends who did read them, but I never was a big comic book reader.
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
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