A Quote by Neil Morrissey
I think actors worry too much about age. They should just get out there and make sure they're up for whatever jobs come along.
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When I became CEO, I just didn't think about my age too much. I'm sure many people did think that my age mattered, but I didn't. That was probably because of my age.
It is important to stop being critical and judging ideas as good or bad because I think if somebody doesn't have a lot of experience you worry their idea is going to be bad, it's not going to be good enough, if not going to be active enough and so you can start to think critically about people's suggestions or what they bring to it but once you get out of that and think whatever they come up with is the right thing right now and so I'm just going to build on it just makes everything so much easier and better.
I think we know too much about actors as it is and their personal lives and it's this information age where we're stimulated constantly by the celebrity buzz effect or whatever it is, these web sites and blogs and different things.
Whatever it is that you're passionate about, whatever it is that you absolutely love, and whatever it is that you would get up out of bed every day and do for free, you should try to figure out a way to make money at it and give it a shot.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
Well, I think on second units it's all about execution. Because you come in there, you don't have to worry so much about the studio and all the other actors and all that.
But having said that, regardless to what reviews come out whatever, I like love the movie. I think it's great, and so people can think what they think about it, but I'm very happy with what we did. I'm really proud of whatever all the actors what we all kind of accomplished and so regardless of how well it does or whatever I'm very excited about it and I think we set out to do the thing and accomplished what we wanted to do. Our goal was met, so yeah.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
I think what all actors share is that, somewhere down in your solar plexus, there's this fear that you're not going to be able to come up with the goods, that this is the one movie where you're going to look like a fool, and they should have cast someone else. And you feel ugly, and you've got three chins, and you've gained too much weight, and you're losing your hair, and there are so many better actors who could do this. But if you've got chops, what you realize is that everybody feels that way, so just show up and do the job.
Just try to get the puck and make plays, not so much worry about scoring or getting an assist or points, just try to get it and make plays. That should take care of itself.
It's in me to get steaming and to think too much, worry too much about the future, the past.
I think that just talking about what guys shouldn’t do, we got to also make sure that you can do your part to do whatever you can do to make, to try to make sure it doesn’t happen.
There ain't no genius here. Strategy in baseball is overrated. People say, 'That Weaver, he plays for the long ball too much.' You bet I do. Hit 'em out. Then I got no worry about somebody lousing up a bunt, I got no worry about the hit and run - and that's really overrated - I got no worry about base-running errors. And I can't screw it up myself.
None of us can be sure of how long we will live. Because this is so, I think you should try not to think too much about dying but think about all the nice things that make life so precious to us all.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"
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