A Quote by Neil Patrick Harris
I'd love to be some sort of villain in a big-budget action movie. Or a superhero franchise. That'd be rad.
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I always wanted to do some sort of action film - even a superhero movie - and when 'Lucy' came out, I was like, 'That's what I want to do.'
The critics mostly review the budgets when they go to see a big-budget movie. They are out to get a big-budget movie. On the other hand, if they review a picture that is done as a graduate thesis by some college film student for $25,000, it is almost sure to be admired and respected.
Owen Wilson is an actor, but think of him as a sort of secret agent. He has an offbeat, indie-movie sensibility. Every so often, however, he infiltrates some big-budget movie he clearly doesn't belong in - 'Anaconda,' 'Armageddon,' 'The Haunting' - and struggles valiantly to stop it from sucking.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
It's not that I'm opposed to doing a big-budget action movie. But it has to be the right project.
I think that the superhero-as-metaphor involves a superhero being some sort of intellectual, emotional, or other such concept writ large. But I don't know that it's a necessary part of the appeal that the superhero be superior.
The villain in superhero movies is often, I think, what makes the movie.
'Flying Jatt' is a superhero movie, and the villain needs to be really strong.
After the first one [Twilight Saga movie], as soon as people start referring to something as a franchise. A franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. That's how they refer to it. They love it when something has become a franchise. But, as an actor, I think it's scary.
Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.
I would love to do a big-budget movie musical - I feel like there is one big musical movie a year. And I'm always there at the theater to see them - I love them.
There are obviously issues in our industry. That starts at the top with studio execs who - not just men - don't believe a woman could handle a huge franchise or big action movie.
Usually, you just have a hero and a villain - in any movie, not just a superhero movie.
On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
I love watching the superhero movies, and I would love to make one. But in a way, 'Drive' is probably the greatest superhero movie ever made.
After the first one [Twilight], people started referring to it as a franchise, but a franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. They love it when something becomes a franchise. But, as an actor, I think it's scary.
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