A Quote by Neil Patrick Harris

I often teach a graduate theater seminar on Greek tragedy in performance. I usually begin by saying that no matter what technological advances occur, the wisdom of these plays will never be obsolete.
We are now living in a fast paced technological era where every skill that we teach our children becomes obsolete in the 10 to 15 years due to exponentially growing technological advances.
Nothing is more theater-based than wrestling. It's Greek-tragedy-level theater.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
I am bold enough to say that a man-made Moon voyage will never occur regardless of all scientific advances.
Life is a university, and you never graduate. Accept that whatever happens to you, no matter how terrible, is there to teach you. Your job is to learn and do what you have to.
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.
I teach a graduate photo seminar at Yale, and I sometimes feel so overwhelmed by the task the students set before themselves to be artists, because - it seems so quaint, but when I picked up a camera with a group of other women, I'm not gonna say it was a radical act, but we were certainly doing it in some sort of defiance of, or reaction to, a male-dominated world of painting.
Indeed, through fundamental advances in bionics in this century, we will set the technological foundation for an enhanced human experience, and we will end disability.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.
I come from theater and captured theater has a bad rap of being never what the live performance was.
The future of food security will depend on a combination of the ecological prudence of the past and the technological advances of today.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
America's high schools are obsolete. By obsolete, I don't just mean that they're broken, flawed, or underfunded, though a case could be made for every one of those points. By obsolete, I mean our high schools-even when they're working as designed-cannot teach all our students what they need to know today.
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