A Quote by Neil Peart

All the world's indeed a stage 
And we are merely players 
Performers and portrayers 
Each another's audience outside the gilded cage — © Neil Peart
All the world's indeed a stage And we are merely players Performers and portrayers Each another's audience outside the gilded cage
When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.
All the world is a stage and we are merely players.
If all the world is a stage, and all the men and women merely players, where do all the audiences come from?
What worked yesterday is the gilded cage of tomorrow.
I tried to be a good wife, but I was lost in my gilded cage.
The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
Her beauty was sold for an old man's gold. She's a bird in a gilded cage.
All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
Train hard and try new things; everything you do outside of the cage counts as experience inside the cage.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
But if, indeed, there be a nobler life in us than in these strangely moving atoms; if, indeed, there is an eternal difference between the fire which inhabits them, and that which animates us,--it must be shown, by each of us in his appointed place, not merely in the patience, but in the activity of our hope, not merely by our desire, but our labor, for the time when the dust of the generations of men shall be confirmed for foundations of the gates of the city of God.
I had, in a way, become 'The Nightmare' in the cage, but also out of the cage. That's why I changed to 'The Dream.' But 'The Nightmare,' is who I am as a fighter and that's the way it's going to stay. I'll be a nightmare inside the cage and a dream outside of it.
It's the inability to handle the pressure that makes a big difference between the Italian players and the England players when it comes to the World Cup stage.
To me, merely and pretty were words that had nothing to do with each other. Pretty went with miraculously, and merely belonged in another paragraph entirely.
There's been (if you sort of scan the magazines) announcements of different performers that has come and tried to get the British audience to go crazy, simply by them entering the stage because they had a hit record. It just doesn't happen. That happens in America.
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