A Quote by Neil Robertson

The crowd in big venues can really make or crush players. — © Neil Robertson
The crowd in big venues can really make or crush players.
If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.
Oh, my god," Augustus said. "i can't believe i have a crush on a girl with such cliché wishes." "i was thirteen," i said again, although of course i was only thinking "crush crush crush crush crush". I was flattered but changed the subject immediately.
The better players need to be out there in front of a big crowd, the TV cameras, with the adrenaline going. That is a test for any player to be able to do it on the big stage.
I know the questions will be around the money, the amount Chelsea had to spend to bring him here but that's the reality of modern football. Big teams only want big players, big players are in big clubs, big clubs want to keep their big players.
I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.
It is really amazing to be able to do cinematic, big feature style film music on a weekly basis and do it in LA, on a big scoring stage, on a studio lot, and do it with the right players and make it sound great.
He's a big player, and the big players score the big goals and make the big contributions in the big games. That's what determines a great player. That's what Steven Gerrard is.
I really have to make sure that I'm staying true to who I am, and that I know my responsibilities to current N.B.A. players, to future N.B.A. players, to our past and retired N.B.A. Players.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
My opening acts are always really strong because I need a guy who can take on a big, big crowd. Which is not that easy to do.
I don't think enough players channel the energy of the crowd. If it's done properly, and you don't let anger overwhelm and distract you, it's like a shot of adrenaline in the arm, and it gets the crowd pumped up.
Great guitar players are a dime a dozen. It is sometimes your very limitations as players that set you apart from the crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
What I really enjoy is when someone who I used to have a crush on, a female from my industry, comes up to me at a party and says, 'Oh, I've been dying to meet you. I've had such a crush on you.'
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