A Quote by Neil Robertson
Being world No 1 would be fantastic but you'd like to do it by finishing the year as No 1 without anything happening off the table to someone else's ranking.
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When a person you love dies, it doesn’t feel real. It’s like it’s happening to someone else. It’s someone else’s life. I’ve never been good with the abstract. What does it mean when someone is really truly gone?
I love playing a role, anything that's dramatic. I'm enjoying living that kind of life: being someone else, getting to die, being a temptress. I enjoy being someone else on stage.
If someone asked me if I could have anything in the world, what would l want? If l could own anything, like owning a piece of art, l think it would be Elton John's publishing, on his first seven albums. I don't want the money. Being able to own those songs Is like owning a painting of someone you admire.
I would have had an easier life if I were straight, but I would not be me. And I now like being myself better than the idea of being someone else, someone who, to be honest, I have neither the option of being nor the ability fully to imagine.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
I don't think you would have any trouble at all in deciding that you are thinking of some event and then visualizing it happening with its consequences, and constructing a rational analysis of it without being able to verbalize it adequately in anything like its full complexity.
I train harder than anyone else in the world. Last year I was supposed to take a month off and I took three days off because I was afraid somebody out there was training harder. That's the feeling I go through every day - Am I not doing what somebody else is doing? Is someone out there training harder than I am? I can't live with myself if someone is.
I can sit and list off all the things that are being worked on and all the things that are on the table, but that will take away all the surprises that are going to come. There are so many explosive, exciting things that are happening. Everybody that is in my life and in my world now has something to do with what I do.
You can make a thousand promises to yourself that you'll take that same fantastic love and give it to someone else, but the moment you see that person with someone else, it's like a gut full of razorblades. It never gets easier. And it shouldn't, really.
Our thought should not merely be an answer to what someone else has just said. Or what someone else might have said. Our interior world must be more than an echo of the words of someone else. There is no point in being a moon to somebody else's sun, still less is there any justification for our being moons of one another, and hence darkness to one another, not one of us being a true sun.
I think you live a fuller life with someone else, you know, you're firing on all cylinders. It can be a nightmare at times, we all know that, but nevertheless in the end I think to have someone else's input on anything - a book, a meal, your children, life, a walk - is fantastic.
Any musician - I would say 99% of musicians - needs some help along the way. Most people, even if they're self-produced, have someone else mix it, or they'll have someone else master the record. Inevitably, it's like somebody else's personality being put into your art.
God calls all of his children to the table. We can disagree and even say a lot of hateful things, but what we can't do in good conscience is leave the table. Or demand that someone else not be at the table.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
The material comes from whenever you realize that you and someone else have something in common. So any conversation you've had more than once, anything you see happening to you that you see happening to a friend, you go, Hmmm, that's a situation I can make funny.
I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing — until my older brother’s friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It’s no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement.
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