A Quote by Neil Simon
I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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When my dad visited me while I was doing a play in New York City two years ago, I took him to see 'Late Show With Stephen Colbert.' Now I'm going to his house. It's surreal.
I've become close with Masoud Esmaeilpour and consider him a friend. We send each other messages from time to time on Instagram, checking in to see how the other is doing. Whenever I see him, he's always a gentleman, giving me tips about my next opponent. There is a tremendous amount of respect in our friendship.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.
For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. "I don't see how you stand it," they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. "It's all right for a week or so, but give me the little old home town when it comes to living." And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.
The planet earth is a sub-world, way below what's average, because if an enlightened being walked through New York City today, no one would see him or her. They wouldn't see the glow.
A long time ago, I took a walk down a street in Harlem in New York City. I came upon a man who asked me for a dollar. He had asked a few other people before me, but they only passed him by without glancing his way. I stopped and handed the man some money. As I began to turn away, he reached out and shook my hand. He looked me in the eyes and said, "I will bless you." Now, I'm not saying that was God Himself. But how do we know that it wasn't someone working for him, walking around in disguise, just to see what we would do?
When people come to see my stand-up, they get a chance to see my characters interact with each other. I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
I lived in New York City for six years, and I was always amazed at how diverse everything was.
I've been in New York for 14 years. I would never leave for good. The city is so much more alive than so many other places, and I think it is fodder for performers. You see so much; research is thrown at you everywhere you go. There was a rat on the subway train recently - you saw the video online - that's fantastic! That's something that is so specific to this city, the way you are pushed up against humanity, and the animal kingdom, whether you want to be or not. It's a stimulating city - physically, intellectually, culturally. It never ceases to thrill me.
The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?
Funny how people don't really see each other. Men and women. They invent each other in their minds and then they see what they invent.They don't really see each other. Now she was in love with him and she didn't even know his real name, didn't know anything real about him.
You know, I went through the whole blond hair bit. And dad took me to see The Police when I was 13. And I was like, this is a cool band, dad. See this is a cool band. And I felt bad for years because then a year later... I never had a chance to tell him how great I think was. After he passed away, I would go and listen to his music.
I've redone plays of mine and made changes. A play is a living thing, and I'd never say I wouldn't rewrite years later. Tennessee Williams did that all the time, and it's distressing, because I'd like the play to be out there in its finished form.
Whenever I left New York, the Twin Towers welcomed me back in. It was a symbol of my city - the most unique city in the world, so when I moved to Virginia and later to Maryland, it meant even more.
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