A Quote by Neil Simon

I don't use computers... I'm someone who needs to see the page right away in my hand. — © Neil Simon
I don't use computers... I'm someone who needs to see the page right away in my hand.
As primitive as digital can be, there is nothing automatic in the methods I use, it's all basically done by hand. I know nothing about computers. I don't like computers. I use them for writing because I have to. I have never had a conversation about computers in my life.
When I was reading 'The Underground Railroad,' I had to actually hold my hand over the right-hand page so I wouldn't see, by mistake, what was coming up next - it was so suspenseful. it's really masterful.
I took computers in high school. I would do all my own programming, but I didn't see the future of computers for anything other than data processing. Who was going to use a computer for communications?
I'm usually more concerned with how things sound than how they look on the page. Some people write for the page, and that's a whole other thing. I'm going for what it sounds like right away, so it may not even look good on the page.
[Consider] a fence or gate erected across a road] The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it."
Outstanding American men seem to see power as something you use in order to correct someone who's wrong, to change them, to show them you see more in this situation than the boss does. Outstanding American women, on the other hand, see power as a resource, something you can use to get people together, to gain commitment.
I think the best research is people you meet and things that they say, rather than second hand accounts of something. I think when you meet someone and talk to them, then you get the real thing and that's what you can use. That's the material you can actually put on the page.
The reality is that we communicate with every part of our being, and there are times when we must use it all. When someone needs us, he or she needs all of us. There's no text that can replace a loving touch when someone we love is hurting.
In our age of individualism, we see computers as ways through which we can express our individuality. But the truth is that the computers are really good at spotting the very opposite. The computers can see how similar we are, and they then have the ability to agglomerate us together into groups that have the same behaviours.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
A younger sister is someone to use as a guinea-pig in trying sledges and experimental go-carts. Someone to send on messages to Mum. But someone who needs you - who comes to you with bumped heads, grazed knees, tales of persecution. Someone who trusts you to defend her. Someone who thinks you know the answers to almost everything.
We can open up our computers and Skype with someone, and we see them. It's like looking through a window. And we can surf the internet through our phones, and it's like our consciousness is far away. Or we can step through a airplane door and be in another continent a few hours away. So technology feels, to me, like the doors sort of already exist, at least emotionally.
We carry around computers in our pockets. Many people barely use them as phones. We use them as computers. If you think about the future, when you're traveling around, it's great to have a lightweight, small form factor.
An evil fate has deprived me of the full use of my right hand, so that I am not able to play my compositions as I feel them. The trouble with my hand is that certain fingers have become so weak, probably through writing and playing too much at one time, that I can hardly use them.
Every mountain needs someone to climb it, Every ocean needs someone to dive in, Every dream needs someone to wish it, Every adventure needs someone to live it
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