A Quote by Neil Strauss

When I was in college, my whole goal was to write for the 'Village Voice,' and I think I was doing that by the time I was twenty-one or twenty, so everything else has kind of been gravy, you know?
I think that everybody kind of changes a lot between the time they're seventeen and when they're twenty-one or twenty-two.
I always had one goal, and that was to be a real funny stand-up comic, and that's pretty much what I'm doing. And everything else is kind of like gravy - TV, movies.
You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
He was twenty. I remembered twenty. I'd known everything at twenty. It took me another year to realize I knew nothing. I was still hoping to learn something before I hit thirty, but I wasn't holding my breath.
No great player blundered oftener than I done. I was champion of the world for twenty-eight years because I was twenty years ahead of my time. I played on certain principles, which neither Zukertort nor anyone else of his time understood. The players of today, such as Lasker, Tarrasch, Pillsbury, Schlechter and others have adopted my principles, and as is only natural, they have improved upon what I began, and that is the whole secret of the matter.
The Rolling Stones reunited for a twenty-fifth anniversary tour last week. Keith Richards said that he's happy to continue to do what he's been doing for the past twenty-five years: cheating death.
Twenty bridges from Tower to Kew — (Twenty bridges or twenty two) — Wanted to know what the River knew, For they were young, and the Thames was old And this is the tale that River told.
You know what girls are like. They turn twenty or twenty-one and all of a sudden they start having these concrete ideas. They get super realistic. And when that happens, everything that seemed so sweet and lovable about them begins to look ordinary and depressing.
[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.
People learn twenty-five percent from their teacher, twenty-five percent from listening to themselves, twenty-five percent from their friends, and twenty-five percent from time.
I was twenty-one at the time, about to turn twenty-two. No prospect of graduating soon, and yet no reason to quit school. Caught in the most curiously depressing circumstances. For months I'd been stuck, unable to take one step in any new direction. The world kept moving on; I alone was at a standstill. In the autumn, everything took on a desolate cast, the colors swiftly fading before my eyes. The sunlight, the smell of the grass, the faintest patter of rain, everything got on my nerves.
I was going to hang it up on the twenty-fifth year of this show. I don't know why. Maybe twenty-five years is enough. And I found out that I was having so much fun doing the show that we decided to stick around for a while.
What is this you write- 'Come home? Surely now, in our terrible dearth of workers, it is not the time for any one to desert his post. Send us only our first twenty men and I may be tempted to come to help you to find the second twenty.
Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
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