Growing up, I was watched by my parents and strongly critiqued. Instead of saying they loved me or showing physical attention, they would joke that I had a Roman nose - that it was roamin' all over my face. Teasing was their way of showing love, but then you are young, sometimes you can't tell the difference.
I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.
I watched horror films growing up, and I would love watching them with friends. But then, I would spend the next week sleeping in my parents' room because I would be so scared.
Growing up, I was very conservative in my wardrobe, so when I first joined the Pussycat Dolls, the biggest challenge was wearing those cabaret costumes. I didn't feel comfortable showing my body so much, showing my legs and butt, chest and midriff.
I watched a lot of old television growing up - a lot of Nick at Nite. I watched 'Rhoda', 'Mary Tyler Moore', and 'I Love Lucy.' Growing up, I loved 'My So Called Life' and was devastated when that went off the air.
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
Growing up, Guess always had these amazing billboards and cool affordable clothing. I wore it then, and I still wear it now! It's come full-circle. When I design the clothes, I have a very good team around me, showing me different pieces and cuts.
I remember Nazi election propaganda posters showing a hateful Jewish face with crooked nose.
The number one thing in my opinion parents can do is be the way you would like your child to be. Don't tell them one thing and do something different. Be congruent with what you would like them to be by showing them how to be that way.
I have a Roman nose. It roams all over my face.
New York is eating young geniuses [businessmen] up alive. It's eating them up alive, Stone. And it's showing the beauty of the city, but it's showing the toughness and the viciousness of the city.
They were showing clips from my earlier films. All I could see was this beautiful young woman who was anxious about whether she was too heavy or if her nose was too big. I felt like saying to her, 'Just relax and it will all be OK.
Showing up is essential. Showing up consistently is powerful. Showing up consistently with a positive outlook is even more powerful.
A lot of humour is about just enjoying life and spontaneity and because you make a joke that puts somebody down - we're always teasing each other. It's with affection. It's nasty teasing that we - not all teasing; nasty teasing you cut out.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
As a young boy growing up in Rohtak, India, I had no idea what my life's work would be. But my parents instilled in me something that I have never forgotten: that work must have a sense of purpose beyond mere financial gain; that to be meaningful, work should make a positive and lasting difference in the lives of others.
In my work I try to reach and speak to that innocence, showing it the fun and joy of living; showing it that laughter is healthy; showing it that the human species, although happily ridiculous at times, is still reaching for the stars.