A Quote by Neil Warnock

At Plymouth I wrote 'Neil Warnock's Wembley Way', a one-year diary, to show people what being a manager was like. I got lucky as the year ended with us winning promotion through the play-offs at Wembley.
At the start of the season, everyone says you want to go up automatic because the play-offs are intense. But if you go up through the play-offs, it's the best feeling because it's Wembley. But to lose there, I would not like to be on the end of that.
The play-offs are the sexy way to get promoted, playing in front of 90,000 people at Wembley, but you always want to do it automatically. If you come first or second, ultimately you've been better than the other teams over 46 games.
Being a Portsmouth fan, I was able to go to the final in 2008, when they beat Cardiff. I went to the semi-final that year as well, so that year I got to go to Wembley twice. Those are brilliant memories, as a Portsmouth fan, going there to watch them win.
I tried to convince those guys at the Bullets in the '95-'96 season that they could try to beat the mighty London Towers, who won everything the year before. I got out of bed every day with the mindset of getting the team to Wembley for the play-off final and to win the championship.
I'll never play at Wembley again, unless I play at Wembley again.
If you were going to protect Buckingham Palace, you wouldn't put a tunnel in halfway down the Mall. If you wanted to protected Wembley Stadium, you wouldn't put a tunnel halfway up Wembley Way.
I've been to Cardiff a few times but I'd love to get to Wembley. My son is six or seven years old and I'd love to take him to Wembley to watch Liverpool.
Baseball is a simple game. If you have good players, and you keep them in the right frame of mind, the manager is a success. The players make the manager. It's never the other way. Managing is not running, hitting, or stealing. Managing is getting your players to put out one hundred percent year after year. A player does not have to like a manager and he does not have to respect a manager. All he has to do is obey the rules. Talent is one thing. Being able to go from spring to October is another. You just got caught in a position where you have no position.
Not a lot of people know I wrote the lyrics for the Arsenal club song, 'Good Old Arsenal'. We had a competition on ITV for it, and none of the entries were any good, so I approached their manager, Bertie Mee, and asked him if he would let me have a stab. He did, and within a few weeks they were singing it at Wembley on the way to the 1971 double.
Obviously, being at Wembley, that's where everybody wants to play.
In the early '90s, I wrote a play called 'Word of Mouth' in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that he's gay.
In the early 90s, I wrote a play called Word of Mouth in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that hes gay.
Winning at Wembley is always special.
From my estate, where my mum still lives now, from my bedroom you could see Wembley. I go back a lot, my brothers are still there and she does a lot of cooking for me. To try to get a coach doesn't make sense, Willesden to Wembley. You can't do that really.
I came to QPR looking for a new challenge after six years at West Ham, a wonderful time capped off by promotion at Wembley.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
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