A Quote by Neil Welliver
I paint very directly. I go from top to bottom. When I get to the floor, the painting is finished.
Related Quotes
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
It's one thing to never accomplish anything. You start from the bottom, you remain at the bottom, and all you know is the bottom. When you start at the bottom and you get to the top, and you feel the success and the notoriety and the recognition from being the champion, and you go back to losing, that's a tough place to be in.
Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Imagine a master painting that's never finished...when you can only build on previous work, you become limited by what you can paint...If you are in the midst of painting a forest full of tall tress and hanging vines, it is rather difficult to wake up the next day and suddenly turn that paining into the beach and ocean...We have to treat each day like a black canvas on which we can paint. Yesterday might have been paining flowers, but today you can paint cars or horses. A new day represents a chance for renewal.
I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.
When I am finished painting, I paint again for relaxation.
Inconsistency is my very essence; it is the game I never cease to play as I turn my wheel in its ever changing circle, filled with joy as I bring the top to the bottom and the bottom to the top
When I've painted a woman's bottom so that I want to touch it, then [the painting] is finished.
A window looks outside, but a painting should do the opposite - it should look inside of us. When I put them in the middle of the room, I attach the paintings at the top to the ceiling and on the bottom to the floor. I prefer this to just hanging them from the ceiling because it creates a place in a space, like a wall.
Let's build women's football from the bottom before we get to the top; it's not about building from the top to get to the bottom. We can talk about the Etihad and Man United's ground, the Theatre of Dreams, in a few years' time. Let's fill the Academy Stadiums, the Kingsmeadows, first of all.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
In my experience a painting is not made with colors and paint at all. I don't know what a painting is; who knows what sets off even the desire to paint?
I enjoy painting. I don't know if I'm good at it, but I paint. I paint very quickly.
This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
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