A Quote by Neil Young

Some get stoned, some get strange, but sooner or later it all gets real. — © Neil Young
Some get stoned, some get strange, but sooner or later it all gets real.
Weed, you know, you just get mellow. You can drive pretty stoned and be OK. I mean, sometimes you get too stoned and you can't drive. But you could get pretty stoned and still drive.
I know you've run away - everybody gets the urge to do that some time - but sooner or later you'll want to go home.
One of the nicest things about living in America is the fact that sooner or later you are practically bound to get an award of some sort or other.
Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
You see me. What you see is what you get. You get real martial arts, you get real fighting, you get a real warrior mentality. Some people aren't mature enough to handle it.
My timing is off. But I had to get it out. Some things you have to tell, no matter how stupid they may sound. Some things you can't save for later. There might not be a later.
Don't want to discuss it, I think it's time for a change You may get disgusted, some think that I'm strange In that case I'll go underground, get some heavy rest Never have to worry, about what is worst and what is best.
I would like to find a way in which people in Saudi Arabia could learn that they can be something other than a Muslim. Some people may not realize this. Of course, there is the problem that you can get in trouble or get stoned.
Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.
There is a secret, I think. When you are front of a camera there is something that happens. Some relationship, some movement, some strange kind of suspension. That's where you find the layer in yourself that is duplicated in everyone. And when you get it right, if you can imagine all the hearts beating in one beat, it's like that. It's beautiful.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
Seeing that the 97's are a democracy through and through, inevitably, some of these tons of songs I write will get vetoed. The first time that happened (and every time thereafter), I consoled myself with the thought that sooner or later I'd make a solo record
I've only experienced it a few times where you get to have a thing that simultaneously gets some critical respect, some critical success, while also having sales success. Sometimes you get one or the other if you're lucky.
It's actually a privileged existence - I get to do some work, but I can walk down the street and have an absolutely normal life, rather than existing in some strange bubble.
If you feel something artistic, you need to get it out of you, do it. You gotta get out and play in front of people. You can't stay in the bedroom, get out sooner rather than later. Use your gut instinct.
What I compare bike lanes to is swimming with the sharks. Sooner or later you're going to get bitten... Roads are built for buses, cars, and trucks, not for people on bikes. My heart bleeds for them when I hear someone gets killed, but it's their own fault at the end of the day.
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