A Quote by Neil Young

Ten silver saxes,
a bass with a bow
The drummer relaxes
and waits between shows
For his cinnamon girl. — © Neil Young
Ten silver saxes, a bass with a bow The drummer relaxes and waits between shows For his cinnamon girl.
I'm a bass player and I'm a drummer - I'm a big fan of bass players.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'
I had a band when I was in middle school, but I was the drummer. I kind of thought if I was going to be in a band, I'd be the drummer. I'm innately drawn to rhythm. But we didn't have any shows. We just jammed in our parents' basement.
The most stable elements, Clarice, appear in the middle of the periodic table, roughly between iron and silver. Between iron and silver. I think that is appropriate for you.
I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.
A businessman is someone who buys at ten and is happy to get out at twelve. The other kind of man buys at ten, sees it rise to eighteen and does nothing. He is waiting for it to rise to twenty. When it drops to two he waits for it to get back to ten.
In football you need to have everything in your cake mix to make the cake taste right. One little bit of ingredient that Tony uses in his cake that gets talked about all the time is Rory's throw. Call that cinnamon and he's got a cinnamon flavoured cake.
I found out I got 'The Little Drummer Girl' and my BAFTA nomination in quick succession, and I just didn't expect it to be like that. I thought there would be a lot more time in between. It's been an overwhelming experience.
Being a bass player in a band without a drummer for seven, eight years has been kind of weird.
The moon, like to a silver bow new bent in heaven.
For all of the creeds are false, and all of the creeds are true; And low at the shrines where my brothers bow, there will I bow too; For no form of a god, and no fashion Man has made in his desperate passion, But is worthy some worship of mine; Not too hot with a gross belief, Nor yet too cold with pride, I will bow me down where my brothers bow, Humble, but open eyed.
I knew when I got to play with Al Jackson I would be a better bass player because he was the best drummer in the world. I worshipped him.
I don't know if I'll find the cinnamon girl. I think I already did, but I'm still singing, who knows.
A harvest mouse goes scampering by, With silver claws and silver eye; And moveless fish in the water gleam, By silver reeds in a silver stream.
The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: "his bow-wow manner must have had a good deal to do with the effect produced.
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