A Quote by Neil Young

It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I look at radio as gone … Piracy is the new radio, that’s how music gets around.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
My family's still loves my music. Every time they hear me on the radio they call my phone - my grandma even called me: "I hear you on the radio!" I'm like, "Grandma, you listen to that and you be in church?"
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
Guys hurt us first! There's always more to the story. We don't have that on the radio. You can't turn on the radio and hear what's really going on. You're going to hear the perspective from a guy.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
We had huge success at first - really, really big. You could not turn on AM radio and not hear 'Every Time I Think of You.' And you couldn't turn on FM radio and not hear 'Head First.' And they were both on the same record.
Here's the tragedy of the modern record business: It's radio. If you're not on radio, nobody really is going to hear you or see you or care about you.
People ask me what's like to hear our song on the radio. I don't know, I don't listen to the radio
Make the kind of music you love even if you never hear it on the air. This was the basic lesson I'd gotten from Alan [Lomax]. Alan said, Pete, look at all this great music around. You never hear it on the radio, but it's right there, great music.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
You go to Miami, and you might only hear one Tyga song on the radio. You go to L.A., and you might hear six or seven on the radio. There's certain things you do for your city.
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