A Quote by Neil Young

I think [song 'Can't Stop Workin'] it's the constant work; performing and traveling. It gets to be a bit of a strain. But if you pace yourself, which I've managed to do, you can go pretty well.
I've had my wife traveling with me full time for four or five years, which has been huge for me, and we have our dog traveling with me as well, which I think is a really important part. We do travel so much, and we're away from home so often, it makes it feel like it's home a little bit, too.
I tend to enunciate pretty well. It's always seemed that my voice is one of those voices that people can recognize pretty easily - which has been a bit of a drawback for some characters because you're supposed to lose yourself in the character, but sometimes people look at a character and go "Oh, it's 'Weird Al.'"
Change is a process which has to be managed. If it's managed and managed well in the interest of the nation and the people, the likelihood is that it will end well.
If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.
If you go back to 'Pretty Fly,' it was a very popish song, but there was a satirical side to it, and I think that's cool. I like the idea that it's making people think just a little bit.
There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.
I wasn't the most talented player as a kid. Whenever I look back at the old footage, I didn't swing it very well and I didn't strike it pretty well, but I managed to score pretty well.
TV is a completely different discipline, which I think I am still learning about. You just have to learn how to work fast and pace yourself.
don't stop to think of the words when you do stop, just stop to think of the picture better-and let your mind off yourself in this work.
Originally the dream was about traveling and developing a job that would permit me to travel. And I decided to go into street performing because it was a traveling job; it would let me go around the world.
Sometimes when I'm traveling, I feel a little bit dislocated, especially the transitions you make when you're traveling - you go to a different city every day.
Now my dad is with me, traveling with me and a big part of this whole thing is I like to mix it up a little bit, you know. Who gets to take their father on a private jet across the country and stay in first class hotels? So we're enjoying it, but I'd stop if it's not possible.
In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.
I still believe that the voice as well as the body express a song together - that's my philosophy of performing a song.
There is a little bit of a head vs. heart kind of battle that happens sometimes with the song. There's the goose bump thing, where the melody or whatever it is just gets you and you don't know why. Sometimes, it's in a genre that you didn't think you liked and, all of a sudden, the song hits you and you just say, wow, I feel the hairs on the back of my neck. I love this song.
I think what I do really well is that I can 'chameleon' myself into many styles at a very fast pace, sometimes in the same verse of a song.
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