A Quote by Neil Young

Commitments are one of the worst things to have in the music business. They're very annoying. — © Neil Young
Commitments are one of the worst things to have in the music business. They're very annoying.
I am a student of this business. I'm really interested in it. When I was younger, I was always the annoying one. What's that? What's that do? What is that called? Why aren't you doing this? I think it got very annoying.
The worst thing about the music business is the business part of it. Business has nothing whatever to do with writing, playing and performing.
I mean the business is just so rough man, people always think the business is easy, and the business is very rough. This is probably the worst business that you can get in, as far as, business-wise.
I'm feeling like the music business is reaping what it's sown. It's going through what inevitably it was going to go through. It was a very decadent, very glamorous business that took advantage of a lot of people for a long time and didn't do things right and had a poor business model.
When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
The thing that happened with the music business, there are no stores anymore where you can buy music. It's all an online business now, and that's, you know - the bookstore culture is a very vibrant part of the American experience that we're very reluctant to see go away.
The music business has made a 360. It's a whole 'nother game. It's not nearly what it was. And I fear for it, because, you know, with the advent of the computer and online and downloading and all these things, they have destroyed - that stuff has destroyed the record business, not the music business, but the record business. The music business is well, and it's alive and thriving. Now, I hope something happens to turn it back around to the point whereas it's - you're earning a living from writing your songs, from your work, you know, because it's not like that anymore.
The things Elvis has done during his career and the things he has contributed and created are really something very important to the music business.
My best business decision was becoming a writer as well as a director, and learning all aspects of the filmmaking craft. My worst business decision was licensing music that I don't own.
My best characteristic is that I don't take things too seriously. And my worst characteristic is the same one. There are times when my family wants me to take things seriously and I'll be mucking about. So I'm aware it's annoying for everyone else.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
In Liberia, our main obstacle is infrastructure: the lights, the water, the roads. Companies can't operate without those things. And even though we have commitments from our partners, it takes time to turn commitments into cash.
As for the music business itself, the key things have not changed that much. It operates like any business and money still keeps things moving.
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