A Quote by Neil Young
I live for playing live. All my records are live, since After the Gold Rush, with the exception of Trans and the vocals on Landing on Water.
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I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
Cause I enjoy both, I enjoy recording and playing live, but yeah, the rush of playing live is really something.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
Obviously, Iron Maiden is on a way bigger scale to British Lion, but as a musician playing live, it's just the adrenaline rush of playing in front of an audience that gives you that rush.
A place like this wears down everything, and tolerance is no exception. In here, coexistence passes for forgiveness. You do not learn to like something you abhor; you come to live with it...You live and let live, and eventually that becomes enough.
The reason we personify things like cars and computers is that just as monkeys live in an arboreal world and moles live in an underground world and water striders live in a surface tension-dominated flatland, we live in a social world.
I'm a touring artist - I love going out and playing live, and I was sick of making records didn't translate well live - that misrepresented who I was as an artist. I'm not saying those records weren't good. I think they're great. I think a lot of them have great songs. My challenge was making the songs that were specifically great for the type of personality I wanted to present which was my personality - I wanted to get that across on record - and have something that was fun and energetic live.
They chatter together like birds on Cypress Hill, but all they say is 'Live, live, live, live, live!' It's all they've learned, it's the only advice they can give.
Live while you live, the epicure would say,
And seize the pleasures of the present day;
Live while you live the sacred preacher cries,
And give to God each moment as it flies.
Lord, in my views let both united be;
I live to pleasure when I live to thee.
I think that we just take our time with everything. We don't feel that there's a rush to become something that we're not yet. We like to really feel things out and know what we're doing. We hadn't ever really played a lot of shows live after we released our EP, and that's when we started doing it - we started playing out live consistently right after we released our EP and we got a new drummer because Shannyn [Sossamon] had quit.
This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
Life is so precious, such a gift, you have to live for you. Live your own truth, live the life that God has put you and nobody else on this Earth to live and not what somebody might be telling you to live.
There is no heaven and there is no hell. They are not geographical, they are part of your psychology. They are psychological. To live the life of spontaneity, truth, love, beauty is to live in heaven. To live the life of hypocrisy, lies, compromises,to live according to others, is to live in hell. To live in freedom is heaven, and to live in subjection is hell.
After Hurricane Sandy, my family and I stayed in our apartment in lower Manhattan before things normalized. We're lucky enough to live on a bit of high ground, so we weren't flooded... but it was intense. Since there was no light, water, or electricity, I spent a lot of time playing acoustic guitar in the evenings.
I love making records. That's my favorite part of the whole process. And I love playing live, but certainly getting the music on a disc that's going to live forever and be there forever, just every little detail drives me crazy.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
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