A Quote by Neko Case

I don't think it's important for everyone necessarily, and I totally respect that because everyone writes differently. — © Neko Case
I don't think it's important for everyone necessarily, and I totally respect that because everyone writes differently.
The trouble is it's very difficult to pin-point the most important thing because Aids affects everyone in different levels of society, differently and you have to respond to it differently.
I think I respect everyone votes and everyone must respect my votes. My vote bdo in 2015 was for [Lionel] Messi because, for me, he had an amazing season and he deserved to win.
We're at that kind of moment where we really have to understand that everyone is totally connected and everyone is important.
My sister's a musician. Everyone else in our family, it's either academics or artists of one kind or another. And those are the people that I think I like to hang out with, too. I think, you know, they're always interesting; they lead interesting lives, and I think they're important for everyone to read about because everyone is an artist in a way.
Everyone writes differently. I hope to get people energized so they'll want to rush home to write.
When you write a song you're more or less saying, "This is everyone. I think this is everyone." It doesn't necessarily have to be this thing where I go out and I'm like candy-striping, or becoming a therapist or something. I think that maybe, maybe I'm supposed to [be a musician], because of that fact.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
I'm not an advocate of true rhymes, I don't think. I think that everyone who writes musical theater needs to know how to do true rhymes, because that's the tradition of it, but I do think that in order for the art form to grow, it's important to not let tradition get in the way of innovation.
I respect everyone, from the homeless brother and sister on the street to the executive that sits in the highest office named President Barack Obama. I respect everyone - but we over-respect no one.
I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
If you are going to think the same as everyone else and do the same as everyone else, you will end up being the same as everyone else. In today's competitive environment you have to think a bit differently.
Everyone is using the same programs, everyone is looking at the same opening ideas. I wouldn't say everyone is necessarily the same in terms of talent or ability, but when you're able to prepare games that go so deep that you don't have to think, really, it balances out the field.
What I do isn't for everyone and I totally respect that.
I think a family is the best way to open up the appeal of a show because everyone has a mother. Everyone has a father. Everyone has cousins or siblings. Everyone's trying to pursue their romantic ideals and their relationship ideals.
We Americans, or half of Americans, think health care is a commodity. Other countries view health care as a social service that should be collectively financed and available to everyone on equal terms. My wife and I just interviewed the German minister of health, and it was an exhilarating experience, because it was a totally different language. It was obviously important that everyone should have the same deal in health care.
In America, everyone writes but no one reads. Everyone's writing all day long - sending emails, tweets, text messages; they all think they're James Cameron's Avatar, performing in some video game for which they make up the script.
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