A Quote by Neko Case
I try to think of the songs as little movies. They're always pretty visual to me. I can always sort of see them. I don't always know what the end result is going to be, and I don't know exactly what it's going to sound like, but I can kinda see them.
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My uncles are always busy away acting, so I barely even see them much at all, but I always know that they are so supportive. Anytime I do see them, they always check up on it and make sure everything's okay and let me know that they're there for me.
It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.
Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, "Let's find some songs now!" after we have a finished film.
I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.
Children are the ones that know exactly what's going on in the world, you know. They 'see' more than adults, 'believe' in more, are honest, and will always, 'always' let you know where you stand.
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
Like my little sister and brother, I always play them my music because I want people like them to be able to relate to my music. They always know what's going on; they're up on what's new. For me, when they hear my music and they like it, I'm on the right track.
I'm not always the first person to run out and see something I'm in. I don't know; for me, that's not why I did it. I did it because I wanted to act. I don't really think about the end result. I don't feel like I have to see it - for me, it already happened.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
I like to sort through music and see whatever pops out to me or inspires me. If I could have a production team going and kind of mix records with me, that would be cool; to take the records and have them sound the way I want them to sound. But I'd rather sort though music to find them things.
You always have to be ahead of the audience so that they have to always catch up and know the movie's not quite going exactly where you think it's going, or expecting it to be going.
What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
I'm a busy guy; I just get a lot of people that sound like me to go out and visit them. They don't know the difference and, let's face it, they aren't going to be paying to see my movies anytime soon.
I don't have anything to say about the guy [Muddy Waters], you know. Treat me all right. But I can this: they are jealous hearted, you know. Are jealous hearted musicians, you know. See, if you can't do like your songs, get kinda jealous of you. Like you, like they think you better than them and all that, but I don't fool with those kind of peoples, you know. I ain't got the time.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
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