A Quote by Nell Scovell

The first Emmys I went to was in 1990 when the five nominees for best comedy were 'Designing Women,' 'Golden Girls,' 'Murphy Brown,' 'Cheers,' 'Wonder Years.' Three and a half were created by women.
I think women bring a different perspective and that we tend to be more collaborative in our approach. I served in the Iowa Senate back in the '90s, when there weren't a lot of us. At the time, I think there were five or six women, and two or three of them were Republicans and two or three were Democrats.
One [paradox] is that pornography follows in that wake of women's liberation. The first instances of hard-core pornography were in late 18th-century in France, "the Golden Age of Women." The next wave in the 20th century comes from Sweden, one of the first countries where women voted. Then Germany, again, at the forefront of progress. Then America in the '80s, when women were closing the pay gap. And Japan, same thing.
When I first started designing sportswear, I felt that women weren't represented in sports performance. I felt that men were dressed really well both technically and visually, and women were almost like an afterthought.
I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls.
The fictitious worlds created for kids are nearly bereft of female presence. It's sending a very clear message from the beginning that women and girls do not have half of the adventures, that they're not as important. We're teaching kids that girls and women don't take up half the space in the world.
When I was 22 years old, and I first got to Nashville, women or girls were objects. It was a conquest. My emptiness inside and the external manifestation of my ego was to somehow conquer women.
Men were created to have facial hair like women were created to be smooth-faced. Well, not all women. I've seen pockets where that's not the case, and that's not good.
The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.
Men's clothing is more pure in design. It's more simple and has no decoration. Women want that. When I started designing, I wanted to make men's clothes for women. But there were no buyers for it. Now there are. I always wonder who decided that there should be a difference in the clothes of men and women. Perhaps men decided this.
There were 2 million civilians in Mosul and 2,000 kidnapped girls there. There were thousands of families in Mosul that could have helped other girls, but they didn't. Women had to wear veils in Mosul. It would have been easy to smuggle Yazidi women out.
For years, women in India were largely discouraged from participating in high-level sports - and, unless the women were wealthy, good facilities were hard to come by, anyway.
When I first started designing, all women were dressed like men, and I said, 'Hey, guys, let's be women, put the two together - it's not either/or. Let's celebrate our bodies. Our bodies are different.'
Since the 1950s (until the early 1990s), girls in Kabul and other cities attended schools. Half of university students were women, and women made up 40 percent of Afghanistan’s doctors, 70 percent of its teachers and 30 percent of its civil servants. A small number of women even held important political posts as members of Parliament and judges. Most women did not wear the burqa.
When I grew up, it was a time when women were just supposed to be cute and not have many opinions. My mother and her friends were quite different. They were all the most beautiful women you've ever seen ... and they were very strong women.
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