A Quote by Nell Scovell
In Hollywood, you kind of trick yourself into feeling like you have impact.
Related Quotes
I don't really go out and do too much like networking and Hollywood events kind of thing. But I do some writing, and I find it helps me as an actor in terms of giving yourself back the power and feeling a bit of strength in that respect.
Christians, just like anybody else, want to have an impact on their lives. And if you can find music that helps you have an impact on your family, on your faith, on yourself, then that's the kind of music you want to listen to.
The thing with pretending you're in a good mood is that sometimes you can actually trick yourself into feeling better.
Maybe bitcoin is a kind of a bubble. I don't like it. I'm not comfortable with it. I'm kind of an old dog to be absorbing that kind of a new trick.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
Makeup can be pure fantasy--it can transform you into any kind of magical creature, whether that's a superhero or a retro Hollywood icon or just a more fun, fresher version of yourself. Looking like a stress-free, well-rested working mom? That's some kind of magic to me.
When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
I think it has a terrible impact when you don't see yourself reflected in the society because then you get the feeling you don't belong.
When you ignore your belly, you become homeless. You spend your life trying to erase your own existence. Apologizing for yourself. Feeling like a ghost. Eating to take up space, eating to give yourself the feeling that you have weight here, you belong here, you are allowed to be yourself -- but never quite believing it because you don't sense yourself directly.
I like to make sure I don't sing songs that are like self hating and feeling sorry for yourself 'cause that's not the kind of legacy I want to leave really. I want people to feel like strength, especially young women.
It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
Somebody said that writers are like otters... Otters, if they do a trick and you give them a fish, the next time they'll do a better trick or a different trick because they'd already done that one. And writers tend to be otters. Most of us get pretty bored doing the same trick. We've done it, so let's do something different.
I think in show business, it's really kind of easy to perpetuate that feeling of, like, Oh, I don't measure up. Or always having to prove yourself.
Its cool when I meet young guys from other bands who say how much an impact Aerosmith has had on them and how much they like me.I'll give 'em that 'C'mon you don't mean that' routine, but in my heart I know where they're coming from. If I had grown up in the '70's and was into rock n' roll, I know the kind of impact Aerosmith would have had on me. I know the kind of impact that Elvis and Jagger had on me, and while I'm not comparing myself to those guys, I can relate.
I feel like if Hollywood can stretch for inclusion and intersectionality, and being intentional with its intersectionality, that that can ripple out past Hollywood into whatever industry and kind of affect society as a whole.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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