A Quote by Nell Scovell

At 26, I was single, living in Manhattan, and working as a journalist at 'Vanity Fair.' I was Carrie Bradshaw... in sensible shoes. — © Nell Scovell
At 26, I was single, living in Manhattan, and working as a journalist at 'Vanity Fair.' I was Carrie Bradshaw... in sensible shoes.
I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.
I'm the Terry Bradshaw of drag. Not Carrie Bradshaw. Terry!
I really had no great love for shoes. I was a working First Lady; I was always in canvas shoes. I did nurture the shoes industry of the Philippines, and so every time there was a shoe fair, I would receive a pair of shoes as a token of gratitude.
I'd be lying if I didn't say I pretended to be Carrie Bradshaw while I wrote from my apartment.
I mean you might have wanted Carrie Bradshaw, but to me she's like toddlers and tiaras gone berserk!
I was living in a house in the West Village of New York and trying to be Carrie Bradshaw. I wrote a whole 5 pages about this character who wasn't going to wear high heels because it was not empowering. I've read that article 1000 times, it's so boring! I was writing really cliched women's stuff which is exactly what I didn't want to write.
Carrie Bradshaw made it okay for New York women to take fashion chances and show that they are fabulous and strong.
If there is a single quality that is shared by all great men, it is vanity. But I mean by vanity only that they appreciate their own worth. Without this kind of vanity they would not be great. And with vanity alone, of course, a man is nothing.
I don't want to be Carrie Bradshaw. I don't want the wedding to be bigger than Big. I'm just grateful to know that the first time I fell in love wasn't the last time.
I never was Carrie Bradshaw, but imagine how great it was to be told, "You are obligated to kiss all these men, to dress like that, and to carry on like that!" They were great guys, too.
Except for Carrie Bradshaw's in the opening credits of 'Sex and the City,' I don't know if the tutu has ever really been trendy, but I want to wear one. I want to dance around in it, and I want that to be socially acceptable.
The Lady: a fluty voice, sensible shoes, a melancholy sense of living by rules few still remember.
The Jawbreaker writer-director Darren Stein was a huge fan of Carrie and Halloween. He was like a kid. He was 26, so he was such a fan. He wanted William Katt and I, from Carrie, to be in the movie as the parents. We had a little bit more that ended up on the cutting-room floor, but that was kind of fun. Everybody that worked on that movie was really cool, including the girls, especially the new girl, the blonde, Judy Greer.
I think that magazines like Vanity Fair are still operating under the old rules, and that if you come to work for a magazine like Vanity Fair, even today, you're certainly expected to treat people like Peggy Siegal very deferentially.
'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
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