A Quote by Nellie McKay
I kind of go for the MGM version of every musical style.
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My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
Getting to wear Chanel is my version of a fairy tale. Not that I would wear it every day - my style is more jeans and T-shirts - but it's kind of fun.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique
The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.
I feel like it's a necessary part of musical development to go through that phase where you think that your favorite style of music is the only style of music, and I thought that for a while.
Have you seen the Broadway version of 'The Lion King?' Go and see it. That's where the future of musical is.
Bobby [Fosse] was very difficult to work with, he wanted to be a big star at MGM, but it was the end of making musical movies at the time.
My musical style changes with every song that I make. I jokingly referred to it one time as 'emo thug', and I think that kind of stands because it's got equal parts of the aggressive confidence of the Dre beats I grew up listening to, and the emotion of like... emo music!
I think there are rock stars within every subgenre, and for people who are obsessed with musical theater Sutton Foster and Audra MacDonald are like Beyonce to them. I'm sure the a cappella world has their own version of that, and that exists in every geeky subculture.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
My dream is to have a creativity barn, in my back yard, which is full of musical instruments and every kind of paint and oils and paper, and you can just go in and make something.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
I love music. I'd love to go on Broadway and do a musical there. I just like to kind of go with whatever's inspiring at the moment, and kind of follow that as far as I can.
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