A Quote by Nellie McKay

I used to play in the subway. If everyone tossed in a quarter, at the end of the day it would add up. It shows you aren't invisible. And it's better than being ignored, or kicked in the head, or worse.
We play a sport. It's a game. At the end of the day, that's all it is, is a game. It doesn't make you any better or any worse than anybody else. So by winning a game, you're no better. By losing a game, you're no worse. I think by keeping that mentality, it really keeps things in perspective for me to treat everybody the same.
In our desire to please everyone, it's very easy to end up being invisible or mediocre.
I played street basketball for a while and wanted to play competitively, but I was so used to the street-style of game that I would have fouled out by the end of the first quarter.
I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.
I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
The review I've been most offended by came when I played Hamlet. I'd always prided myself on being an 'invisible actor' and not getting in the way of the play. But this review didn't mention me once. That's worse than being insulted.
There's nothing worse than getting on a crowded subway on, like, a 90-degree day.
If you've got two great companies, rather than going at it head to head, let's work together and, at the end of the day, that's gonna be best for business for everyone, but most importantly the fans.
We were 6-4 and everybody doubted us. We lost to the Kansas City Chiefs and that week we had a players meeting and really talked about where we really want to go. It's not about the record. At the end of the day it comes down to are we going to keep focusing on each other and are we going to keep getting better day by day? We ignored the noise, we ignored all the talk from the outside.
I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.
At the end of the day everyone has his own style of making a film and add the kind of ingredients which he feels would be good enough to entice audiences.
I was raised to believe that you had to do things better than white people in order to succeed. The old black shows were better than the white shows. "The Jeffersons" (1975) was a lot better. "Good Times" (1974) was way funnier. "Sanford and Son" (1972). Now, though, everyone thinks we're equal, so we submit the same shit that everyone else submits. And then we get mad when they won't air it. You got to go back to the old attitude of it has to be twice as good.
I grew up learning this stuff on the streets of New York. My brother and I used to play in the subway for money.
I take the subway four times a day, or close to it. I just love the subway! My grandfather worked as an electrician when they were digging the subway.
You have as much computing power in your iPhone as was available at the time of the Apollo missions. But what is it being used for? It’s being used to throw angry birds at pigs; it’s being used to send pictures of your cat to people halfway around the world; it’s being used to check in as the virtual mayor of a virtual nowhere while you’re riding a subway from the nineteenth century.
If Hamas were destroyed and gone, we would probably end up with something much worse. The region would end up with something much worse.
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