A Quote by Nelsan Ellis

I love working with Alexander Skarsgard. He brings such gravity to a scene. — © Nelsan Ellis
I love working with Alexander Skarsgard. He brings such gravity to a scene.
I have three man crushes: Kit Harington, Ryan Gosling, and Alexander Skarsgard.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
Well, my intention is to make work about being uncomfortable. About being in a world that isn't always the world you want to be part of. I talk a lot about the free fall, the moment in the scene where gravity takes over, and the beautiful awkwardness when gravity wins. Gravity is hilarious. Gravity always wins.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
You're only great if you win. I mean, Alexander wasn't Alexander the Mediocre or Alexander the Average. He was Alexander the Great, and there's a reason for it.
I'm going to a dance." With Becky?" No, with Alexander." Who's Alexander?" The love of my life!
I have an obsession with black, so I love Alexander Wang and Alexander McQueen.
I've always been a huge admirer and lover of Alexander McQueen, Alexander Wang. I love so many British designers like Stella McCartney.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
You see one scene shot 25 times in one day, which is totally fascinating, but while you're watching it, you're remembering, 'This is what I was thinking when I was writing that part of the book,' and so it brings it all back very gradually as you're working.
In each scene, the writer sets up a situation, which brings a conflict as well as either a small victory or a loss at the close of that particular scene.
I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual. I like the collaborative effort of working with people.
I'm sure that the average person thought we would fold up right there. That's all everyone thinks we're about, anyway. Alexander, Alexander, Alexander. But it's about the brotherhood. Shaun's a great player, but we have a lot of weapons around here.
Gravity. It keeps you rooted to the ground. In space, there's not any gravity. You just kind of leave your feet and go floating around. Is that what being in love is like?
It's one of those scenarios where no, I never imagined that I'd be directed in a love scene - not even a love scene because it's kind of a hard-core sex scene because it's kind of just purely played for this carnal venting.
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