A Quote by Nelson Algren

If you write something, and you believe in it, you'd like to see sixty million people moved by it. — © Nelson Algren
If you write something, and you believe in it, you'd like to see sixty million people moved by it.
It's better to be known by six people for something you're proud of than to be known by sixty million for something you're not.
When people write the history of this thing, of bitcoin, they are not going to write the story of 6 million to a billion. What is truly remarkable is the story of zero to 6 million. It has already happened! And we’re not paying attention! That’s incredible. That’s what had one chance in a million and it already happened.
I see the hitter when he's moved in the box, like when he's moved closer to the plate or changed his stance. I see when the batter has moved his feet, and then I make my own adjustment.
It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.
I don't believe people are moved to action when they see horror. They're moved to action when they see courage in the face of horror.
When you go and create something, you want to believe in it. If they don't, we're barking up the wrong tree. But when you believe in something and you see other people believing in it too, it just feels like you're doing something right in the world, and that feels good.
If that god is described as being all-powerful and all-knowing and all-good, I don't see evidence for it anywhere in the world. So I remain unconvinced. If that god is all-powerful and all-good, I don't see that when a tsunami kills a quarter-million or an earthquake kills a quarter-million people. I'd like to think of good as something in the interest of your health or longevity.
There's a certain delusional quality that all successful people have to have. You have to believe that something different than what has happened for the last 50 million years of history - you have to believe that something different can happen.
I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.
Writers sometimes write things for me and I like to see what they write because I want to see what their take on my delivery is or what they think that I can do with something. So I kind of leave that to them.
Tokyo is huge. Something like 15 million people live there, and my estimate is that at any given moment, 14.7 million of them are lost.
Believe it or not, a lot of people watch social media. I have 1.5 million people on Instagram, 2.5 million people on Twitter: that is how many people are watching whatever I do.
We all make choices. Believe me, I would like to write the hit of the world. It's not like I have any desire to be in the shadows. My vision isn't marketing. Some people want to sell 6 million albums. There's nothing wrong with that. It's just not what I do. I'd rather look at a piece of work and say it's great rather than it's successful.
I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.
For some reason, everyone says "fashion is responsible for skinny models." I don't believe that myself. I believe consumers dictate commercial success and trends in a capitalistic society. So I believe if consumers wanted to see - like, who decided that Barney the Dinosaur was going to be a million-dollar industry?
I was talking to my publisher in Britain and was told here we are - we are sixty million people and we reckon only four hundred thousand people in Britain really read.
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