A Quote by Nelson DeMille

I try to end every chapter with an air of suspense. I try to leave the reader wanting to turn the page. — © Nelson DeMille
I try to end every chapter with an air of suspense. I try to leave the reader wanting to turn the page.
Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page.
The trick in writing children's books is to set up danger, mystery and excitement on page one. Force the kid to turn the page . . . Then in the middle of each chapter there's a dramatic point of excitement, and at chapter's end, a cliffhanger.
I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
Sometimes you just have to turn the page to realize there's more to your book of life than the page you're stuck on. Stop being afraid to move on. Close this chapter of hurt, and never re-read it. It's time to get what your life deserves, and move on from the things that don't deserve you. Don't try to fix what's been broken in your past, let your future create something better.
I want the reader to turn the page and keep on turning to the end.
Love is easy! Kindness is easy. So I try on my Twitter page to acknowledge everyone that reaches out to me. I try to make my page - I can't control the rest of Twitter - but I try to make my page a safe place for people.
I want the reader to turn the page and keep on turning until the end.
Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.
The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium.
What's beautiful about art is that it circumscribes a space, a physical and mental space. If you try to put the entire world into every page, you turn out chaos.
I try to live my life every day in the present, and try not to turn a blind eye to injustice and need.
When I leave the car park at Melwood, I try and become a completely different person. I try to get away from it. You have got to. Otherwise you end up like Jamie Carragher - obsessed!
Transitions are critically important. I want the reader to turn the page without thinking she's turning the page. It must flow seamlessly.
Each day in practice, I try go perfect. I try to be perfect every turn, every stroke. That's the way I feel comfortable.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
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