A Quote by Nelson Goodman
We make versions, and true versions make worlds.
Related Quotes
I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best.
But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.
The theatrical versions are the definitive versions. I regard the extended cuts as being a novelty for the fans that really want to see the extra material.
What I'm trying to do [in Winter Journal] is to tell the story of a man's life from birth, but there are different versions of him, four different versions.
There's a lot of talk in some of the other versions of the Bible, the Hebrew versions, and things about the end of the world not being a punishment from God, but being an invitation from mankind. That mankind has to invite its own destruction. And I think that's very true, and it's almost very American. I think that's the type of society we're in and it's people's very fear of the Antichrist that has created it
Early versions of Microsoft Word left a lot to be desired. However, to the company's credit, it quickly learned where Word fell short, made the necessary changes, and repeatedly introduced new versions of the software.
There are so many versions of Batman that I love so much from different artists that I had to almost stop trying to draw those versions and get past that and just draw the Jeff Lemire version of Batman eventually.
Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.
I met a lot of women in the military with Meg Ryan, and they were remarkably impressive: Competent and strong and not versions of men, but versions of women. And they had stories to tell about how difficult it had been for them.
When we make those guitars we make tons of prototypes, I have all those. And once a guitar has come out there's all different versions and colours and woods and I have all those. There's hundreds of them.
Usually they have to deal with a dubbing situation or subtitles, and it takes you out of the experience. That's why we wanted to make something that felt really immersive for Chiniese audience, but it takes a lot of work to make 2 versions of a movie!
Historically, the Old Charges fall into three groups. The first comprises the two earliest versions, the Regius MS of c.1390 and the Cook MS of c.1420...The second, and largest, group begins with the Grand Lodge No. 1 MS, dated 25 December 1583, and covers all the versions datable before the formation of the premier Grand Lodge in 1717. The third group comprises manuscript and printed versions produced after 1717, the majority of which appear to have been produced as antiquarian curiosities.
The story was the important thing and little changes here and there were really part of the story. There were even stories about the different versions of stories and how they imagined the differing versions came to be.
The surfeit of bad trends pushes me to set my stories in worlds which are often diminished versions of our own present.
A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.
It's true that all my novels have been versions of myself to some degree.
Years and years of talking and writing versions of the script [Sausage Party] and looking at various versions of the animations - I mean, it's really a lot of workshopping and trying different things, and using the cast to try different voices and characters. And that's the good thing about animation. Because it takes so long, it allows you to explore in a way that you can't in live-action movies.
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