A Quote by Nelson Mandela
The histories of our two peoples, Palestinian and South African, correspond in such painful and poignant ways, that I intensely feel myself being at home amongst compatriots
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Today we are a nation at peace with itself, united in our diversity, not only proclaiming but living out the contention that South Africa belongs to all who live in it. We take our place amongst the nations of the world, confident and proud in being an African country.
There is a tendency just to talk about foreign investors. Over 80 per cent of new investment in the South African economy is South African and therefore the engagement of the South African investor is also a critical part of this process.
I hate racial discrimination most intensely and all its manifestations. I have fought all my life; I fight now, and will do so until the end of my days. Even although I now happen to be tried by one, whose opinion I hold in high esteem, I detest most violently the set-up that surrounds me here. It makes me feel that I am a Black man in a White man's court. This should not be I should feel perfectly at ease and at home with the assurance that I am being tried by a fellow South African, who does not regard me as an inferior, entitled to a special type of justice.
We do not have a South African as a member of the African Commission. The President of the Commission comes from Mali, the Deputy comes from Rwanda and then we have got all these other members, ordinary commissioners. There is no South African there. And the reason, again, for that is not because we didn't have South Africans who are competent.
I have dear friends in South Carolina, folks who made my life there wonderful and meaningful. Two of my children were born there. South Carolina's governor awarded me the highest award for the arts in the state. I was inducted into the South Carolina Academy of Authors. I have lived and worked among the folks in Sumter, South Carolina, for so many years. South Carolina has been home, and to be honest, it was easier for me to define myself as a South Carolinian than even as an American.
My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.
It is considered in England and the United States that the Government of South Africa is altogether too harsh with its native peoples. It is sadly humorous to notice that the native in South Africa, however, holds an exactly reverse opinion and the fault he finds with the South African Government is that it is far too lenient in its administration of laws throughout the native populace.
That's one of the biggest losses, I think, to African American families, is that people, once they left, they turned away from the South. They didn't look back, and they often didn't tell their children about it. They didn't want to talk about it. It was too painful, what they'd gone through and the caste system of the South, which was Jim Crow.
My father was born in the year 1900 in South Carolina, and he grew up at a time where being an African-American child in the American South was to be deprived of access to anything close to a reasonable education. He only had three years of formal education, but he was self-taught. He read two newspapers a day.
Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.
The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.
I am not a romantic leading man anymore so I don't need to nurture that public image anymore. I can talk about it now because I'm not afraid anymore . . . When I grew up, being gay, being sissy or anything like that, was verboten. I disliked myself intensely and feared this part of myself intensely, and had to hide it and became 'Perfect Richard, All-American Boy' as a place to hide.
The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.
When I went back home, I was constantly being reminded, I'm an African woman, and so there are certain things I shouldn't do, certain ambitions that I should not entertain. That was a problem for me because I had never thought of myself as an African woman, never thought of myself as a woman to begin with. For me the limit was my capacity, my capability.
I ever will profess myself the greatest friend to those whose actions best correspond with their doctrine; which, I am sorry to say, is too seldom the case amongst those nations who pretend most to civilization.
The rich and complex history of South Carolina is the history of the African diaspora, and in many ways, I felt acutely the sense of this collective memory of migration, suffering and transformation while living in South Carolina.
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