A Quote by Nelson Mandela

I have never regarded any man as my superior, either in my life outside or inside prison. — © Nelson Mandela
I have never regarded any man as my superior, either in my life outside or inside prison.
When you're in prison, the progress of the outside world doesn't necessarily translate inside prison walls. You don't have any rights; it just doesn't progress along the same timeline.
The superior man... does not set his mind either for or against anything, he will pursue whatever is right. The superior man thinks of virtue, the common man of comfort.
I find it weird that people who claim to speak for the prisoners basically want to keep them in cages all the time - and then they'll fight for better prison libraries or whatever. It's like they're missing the big picture. If I were in prison, of course I would prefer to be outside doing physical labour. It's not physical labour but prison life that kills a person. It's so bad inside that the outside jobs are often sought after. So, yeah, call them work crews and let them do it. At the same time the retributive side can feel the cons are being punished.
We were all blocked from western media, outside information. We were captured in a virtual prison cell. People would disappear in the middle of the night - not every day, but sometimes. We hear about it, and we never knew what happened inside the prison camps. I learned about them after I escaped.
So long as the priest, that professional negator, slanderer and poisoner of life, is regarded as a superior type of human being, there cannot be any answer to the question: What is Truth?
I'm regarded outside New York University as a looney tunes leftie, self-hating Jewish communist; inside the university, I'm regarded as a typical, old-fashioned, white male liberal elitist. I like that. I'm on the edge of both; it makes me feel comfortable.
I am a black man inside and outside and you are white men on the outside, but inside, you are Africans like me.
I believe prisons have emerged as a new frontline in the fight against crime. The fact is, new technology and sophisticated approaches mean that prison walls alone are no longer effective in stopping crime – inside or outside of prison.
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
How come we never use prison, the failure of prison, as a reason not to give more prison? There's never a moment where we say, 'OK, well, prison hasn't worked, so we're not going to try that again.'
The outside of any building may now come inside and the inside go outside, each seems as part of the other. Continuity, plasticity, and all the new simplicity the imply have at last come home.
There are many more serial killers living outside the prison walls than inside.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison.
Our mania for rational explanations obviously has its roots in our fear of metaphysics, for the two were always hostile brothers. Hence, anything unexpected that approaches us from the dark realm is regarded either as coming from outside and, therefore, as real, or else as a hallucination and, therefore, not true. The idea that anything could be real or true which does not come from outside has hardly begun to dawn on contemporary man.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
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