A Quote by Nelson Shanks

Photographs and reality are just night and day. In reality, the information is all there. A photograph is just kind of a hint. — © Nelson Shanks
Photographs and reality are just night and day. In reality, the information is all there. A photograph is just kind of a hint.
Photographs are still always depictions, it's just that for my generation the model for the photograph is probably not reality any more, but images we have of that reality.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality and of realism.
LSD was an incredible experience. Not that I’m recommending it for anybody else; but for me it kind of – it hammered home to me that reality was not a fixed thing. That the reality that we saw about us every day was one reality, and a valid one – but that there were others, different perspectives where different things have meaning that were just as valid. That had a profound effect on me.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. Or they enlarge a reality that is felt to be shrunk, hollowed out, perishable, remote. One can't possess reality, one can possess (and be possessed by) images.
I'll take photographs with kids. People who want to take photographs with me. People who like the movies. People who supported me. I'll do that all day, all night, that's fine. But the bombardment of the paparazzi is just... I truly don't understand. It just feels like this kind of gluttonous, horrific sport. It's like sport.
Things just enter reality through photographs.
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ("this-has-been"), the photograph suggests that it is already dead.
The artist's task is not to alter the world as the eye sees it into a world of aesthetic reality, but to perceive the aesthetic reality within the actual reality. (On photographs by Helen Levitt)
But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work.
I'm not a reality-TV kind of guy. But it's almost like we're living in a reality show. Every day in this country, everybody keeps worrying about the deterioration of America, and it's like a big reality show.
I am a lover of what is, not because I'm a spiritual person, but because it hurts when I argue with reality. We can know that reality is good just as it is, because when we argue with it, we experience tension and frustration. We don't feel natural or balanced. When we stop opposing reality, action becomes simple, fluid, kind, and fearless.
Photographs are diary entries That's all they can be. Photographs are just documentations of a day's event. At the same time, they drag the past into the present and also continue into the future. A day's occurrence evokes both the past and the future. That's why I want to clearly date my pictures. It's actually frustrating, that's why I now photograph the future
Just like Sept. 11, only with nuclear weapons this time, that's the threat. I think that is the threat. I think it's just facing reality. It's not a happy reality, but it's reality and if you don't deal with it, it will become even more unpleasant.
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.
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