A Quote by NeNe Leakes

My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes. — © NeNe Leakes
My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes.
This is going to sound ridiculous, but I remember watching 'Boyz n the Hood,' and there is a scene where Cuba Gooding, Jr. gets pressed against a car by a police officer, and he starts crying because it's so humiliating. I remember thinking in that moment that I could totally identify with him, and I'm a little white kid from Canada.
When Cuba Gooding Jr. and I were doing 'The Trip to Bountiful,' we would always go to BXL, a Belgian restaurant/bar. It was across the street from the theater, and they have amazing mussels.
Whom do you feel sorrier for: the cast of 'Boat Trip' or their children? Remember, kids can be very cruel - and this latest 'get Cuba Gooding Jr. career counseling fast' project is a misfire from beginning to end.
I did 'Lonely Hearts' with John Travolta and James Gandolfini. Talk about getting over your fears. These guys were amazing! Also, Cuba Gooding, Jr. is one of my favorites. We've made 3 films together. He is such a generous, giving actor.
When you see my performances, even people that you might have known, like Nicky Barnes in 'American Gangster,' you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I'm doing my job right, you believe everything.
The first acting part I ever got was a guest spot on 'Chicago Hope' playing a security guard. I thought, 'Oh, this is going to be cool.' But a little bit later, I got a vague part on this short-lived show called 'Marshall Law' with Arsenio Hall and Sammo Hung. It was a poor man's 'Rush Hour.'
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
Still, on 'Friends', we had some guest-stars who were less than spectacular, not the stunt-casting, but just regular guest-stars, and they weren't particularly great actors, but the material was so good that they scored. It's the writing.
Little self-denials, little honesties, little passing words of sympathy, little nameless acts of kindness, little silent victories over favorite temptations-these are the silent threads of gold which, when woven together, gleam out so brightly in the pattern of life that God approves.
I really wish that 'Angrezi Medium' would have released a little earlier or little after - at least, we would have had a proper release. The movie was taken down after one day of release. It is such a beautiful film and Irrfan Khan hasn't done a film in a long time, given his health conditions.
Donald and I still really wanted to be together, but I was fighting to keep what we had privately, and once the world gets involved in your life, little by little it breaks it down until you forget what it was in the first place.
I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film.
Like probably many people of little education who find themselves, like pop stars or film stars, suddenly lauded by the whole world, it is very difficult if you have not had a mother bringing you up who was quite stern and strict.
I think that when I was child, acting was mostly just a hobby for me. It was something that my parents encouraged me to think of the way that my brothers thought of their cross-country classes, or my little sister to dance classes and art classes, and it was something like that for me.
I always had plenty of ideas. I didn’t exactly have them. They grew—little by little, a half an idea at a time. First, part of a phrase and then a person to go with it. After a person, then a little corner of a place for the person to be in.
We began to do little things, have little scenes where we just talked about things that had nothing to do with the plot. In fact, in the beginning, they didn't want us to do that. But as time went on, you see that in so many shows. I think we were the first to do that.
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